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Police lieutenant Nyman is murdered in his hospital bed and Martin Beck and his colleagues have another murder to solve. They discover that Nyman was a very tough policeman who received several complaints about his methods. His partner Hult defends him against these accusations, while Nyman's widow explains that Hult was the only one outside of the family who knew where Nyman was hospitalized. It becomes obvious to Beck, that a lot of people wanted Nyman dead, but he is not the only one targeted. Soon a sniper kills policemen from a roof in central Stockholm.
This is director Widerberg's widely acclaimed first action film, based on a crime story by famous Swedish writers Sjowall/Wahloo. It's a complex story, involving both the frantic efforts to stop a man from shooting people from a roof top, and the bit by bit revelations of why he's doing it.
Widerberg could make movies, in this and other genres, and this time he was praised for accomplishing what many regarded as the first Swedish action film, which did not look like high school work, even in an international comparison.
A lot of effort was put into it, involving large parts of Stockholm city at the time, and countless citizens volunteering as extras. It got to be much larger than the movie team had anticipated, but Widerberg managed to be creative about that chaotic situation, giving the film a sense of documentary, of not being fiction at all. Of course that heightened the suspense, and made its social message more urgent.
This film is still, 25 years later, probably one of the best action films ever made in Sweden. The almost documentary style of shooting, the superb naturalistic performances, gives the movie its immediacy and urgency (The editing of the helicopter sequence is absolutely superb) - the sense that this is actually happening, as opposed to the dreadful American actionmovie stylization that dominates Swedish film-making nowadays (Nolltolerans, Hassle-förgörarna, Hamilton, the list goes on). Swedish directors should take a long, hard look at this movie, and hopefully get a clue as to what works and makes a movie believable, instead of trying to emulate an American-type of movie-making.
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