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Jackie plays Foh, an expert mechanic who has returned from Japan after a master course at Mitsubishi Motors. He runs a small business in Hong Kong along with his father and two sisters. In his spare time, he also helps the police out by checking cars that have been illegally upgraded. One night, psychotic street racing driver Warner Krugerman, aka Cougar, speeds past Foh and the cops. Foh gets into a car and stops Cougar heroically. Cougar lands in jail, but breaks out eventually. He gets revenge on Foh by trashing his business and kidnapping his sisters. The only way Foh can get his sisters back is by racing cougar in Japan. He now must retrain himself in race car driving so he can be at his best to race Cougar.
In order to release his kidnapped sister, sports car mechanic Jackie Chan has to beat a super-criminal street racer.
This is one of the only pre-Hollywood flicks with Jackie that I've seen, so forgive me if I comment on anything that is a staple of them. Whilst offering absolutely nothing new to the genre, this does manage to, in spite of some rather abusive use of slow-motion, a lot of really cool and, at times surprising, action. As is Chan's usual style, props are used, and there is a general comedic tone to the well-choreographed martial arts sequences. The plot is fine. I can't say I got into it all that much, perhaps because I'm just not that big on looking at cars driving. Even if they do go by fast and make that vroom-noise. It does not appeal that much to me. I'm not a race-ist, though. OK, granted, that was a terrible pun. I'm giving myself a time-out. For anyone still reading this, however... with a couple of questionable angles and edits being all that stand out to the way this is shot and cut together, this simply does not have a lot to offer other than the shoot-outs, chases, and of course, especially, fights. This is in at least two languages, but all of it is subtitled. Well, the version I saw, anyway. There is violence in this. I recommend this to fans of the star. 6/10
An atypical Jackie Chan production in that it features substantially less of the martial arts and comedy that we have come to expect from the Chinese star. Instead this feels like more of a Stallone film, as a sports mechanic must prove himself against a criminal on the track in a life or death race to the finish. The production is a lot more serious than most Chan movies and the comedy is kept to a bare minimum, so consequently some scenes do drag and appear a little dry.
Another change is that for the fight scenes, Chan mainly uses a double rather than fighting himself. The reason being that due to injuries he was unable to do the required moves. Although this does detract from the realism of the production it certainly doesn't detract from the realism of the fights, which are as fast and frenetic as usual. My favourite occurs when Jackie goes mad with a sledgehammer in a pinball arcade, fighting through and on top of the machines and acrobatics. The finale of this sequence involves a huge cascade of metal ball bearings which makes for a nice spectacle.
Unfortunately the few other fight sequences ring a little false, and some are filmed in some rubbish artistic slow-motion so you can't see what the heck is going on. Being a film primarily about fast cars, there are the requisite number of passable car chases, the best occurring at the finale where lots of vehicles crash, explode and fly through the air in style. Also watch out for a moment where Jackie gets a rude awakening after his bedroom is hoisted into the air with a crane! Only in Hong Kong. The acting from Chan and his co-star Anita Yuen is strong but less so from the other cast members, particularly Thorsten Nickel as the laughable European bad guy Cougar, although this may be a result of the English dubbing rather than a problem with the actor himself.
Sadly the lack of comedy, decent Chan martial arts and the sudden seriousness (a bloody shoot-out is fairly decent but doesn't sit well within the film's 'family' template) with dollops of morality and sentimentalising make this one of the star's less entertaining productions. For slicker and generally better films check out either RUMBLE IN THE BRONX or FIRST STRIKE from the same period.
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