Extreme Justice Tamil Pdf Download
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Jeff Powers is the newest member of a very elite and very secret LAPD division. Their mission is to target important criminals and to get them to stop. Police brutality is not a known term for the division and they will stop at nothing to get the job done, even if it means murder.
A rogue cop joins an elite L.A.P.D. unit who secretly operate as a vigilante death squad, but soon begins to question their methods.
A story about one of the most controversial units ever devised. The S.I.S. A rogue unit made to take out the criminal element with extreme swift justice. For many who delve into the legal system it shows just how far policemen will go to either take in their targets, or just riddle them full of bullets as the only answer to diffuse a dangerous situation. Criminals do not have honour in any sense of the word namely for the wild west theory. It's better to go out in a blaze of glory than be stuck in a prison where they get three meals, and a TV, or some chocolate tubing by a cell mate. Lou Diamond Philips plays his role as a lone wolf cop who understands the right, and wrong of what his partner (Scott Glenn) is doing but is placed between a rock, and a hard place simply for the fact that the criminals need to be put down.
Yet the price is way too high. Watching a crime taking place then giving a one warning, which leads to a shootout is why Powers (Philips) is so devastated by his crew. To see once good cops becoming the very same element in the name of justice creates a rift between he, and his team, which ultimately leads toward a showdown. Many who watched this movie often remarked at just how efficient it is to just negate the criminal altogether since it was their choice to begin with. Like the old west, where justice came in the form of a gun and resolve to use it in the face of tyrannical regimes on the streets. Agreeably I can say that many criminals do need a bullet, but more than likely there will always be innocents in the middle ground.
This was a very good film for its gritty portrayal of cops who underneath only wants peace in their city. Except to attain it they for went their humanity in order to achieve such a notion. The S.I.S. was at a time a very influential division until many of the stories that abounded from eye witnesses caused a huge upheaval in the L.A. police department. Scores of testimonies led to arrests, and sentences against those in power as well as the many police officers who got involved in such a covert squad. The shoot outs were intense, as well as the violent outcomes of each engagement. Great casting, and wonderful blue collar script that the audience could relate to for the working classes.
In many ways... crime has become a sustainable asset for those in high offices but also in key government positions. Drugs, weapons, human trafficking, and black ops are what is the norm now a days. The only thing missing are the rogue squads that had no compunction of shooting a criminal to death in order to save the tax payers monetary issues or pressures. It costs over fifty thousand dollars an inmate today to keep them inside living comfortably around those who have a better way to pull of a criminal act. It is a learning institute in itself for those who are about to be released from prison. Once out... they still have the choice of moving on, or keep going as before but with new insight from his former inmates. Perhaps today's criminal needs a new squad. And if by chance witnesses are there to see it, will hopefully evacuate the area before shooting begins. The final thing any criminal, and policeman should have is a tumbleweed rolling across the asphalt.
Jeff Powers (Phillips) is an LAPD detective known for his aggressive streak. Rather than be a detriment to his career, it enables him to join the SIS, or Special Investigative Section, an elite team of cops given a wider berth to take down repeat criminal offenders by any means necessary. The group is led by Dan Vaughn (Glenn), a charismatic but violent man. Other members of the team include Angel (Divoff) and, as Larson, Yaphet Kotto in one of his best roles we've seen to date. As Vaughn and his ethical issues become darker and murkier, Powers, spurred on by his reporter girlfriend Kelly (Field), becomes wary and spirals into a moral conundrum - remain true to his brotherhood and its camaraderie - after all, they ARE stopping crimes, or, blow the whistle because their crime-stoppery knows absolutely no limits and at times comes with a very high price? What will Jeff Powers do? There are a lot of really good things about Extreme Justice, starting with its title. This was before "extreme" things became the norm. The SIS gets EXTREME justice. But besides that, it has a top-notch cast, and the excellence of fan-favorites LDP, Yaphet Kotto, Andrew Divoff, Ed Lauter and Scott Glenn raise the bar considerably. The movie has back-to-back scenes of awesome clichés (someone should invent a word that means "cliche" but doesn't have a negative connotation, because that's what we'd use here) - everything from a female BYC (Black Yelling Chief), to Jeff Powers being called "A Loose Cannon" - but Extreme Justice really does provoke thought, as well as conversation with whoever you're watching it with.
We talked about the fine ethical line some of the characters walk - and Powers, Vaughn and others deal with their issues in their own ways. We also talked about the nature of law and justice and things of that nature. This movie really does bring them up, which is more than you can say about a lot of other cop dramas of this type. Plus it has Yaphet Kotto dressed as a cowboy complete with hat, belt buckle and six-shooter.
The ubiquitous Ed Lauter's role here (as well as the plot of the movie) is a precursor to the great The Sweeper, 1996 (note the "Cloak and Dagger" business card), and Scott Glenn's role as Vaughn also is a precursor to another career-best role as Cole McCleary in The Last Marshal (1999). This is a manly movie about dudes who drink at bars, go to strip clubs, and shoot their guns at their steak-fueled cookouts. But this Brotherhood Movie, as we call them, has an uglier side and themes of adult peer pressure are explored. Try to imagine a cross between the TV show The Shield, The Last of the Finest (1990) and The New Centurions (1972). Now add to the mix the L.A.- based cop dramas of James Ellroy such as Dark Blue (2002) and Street Kings (2008), and you have an idea of where this movie lives.
Director Mark L. Lester, who has given us such gems as Showdown in Little Tokyo (1991) and Commando (1985), delivers a refreshingly-adult drama, a far cry from the stupidity of his later Hit-man's Run (1999). Here, there are no stupid, wisecracking teens or kids.
Extreme Justice is solid and recommended.
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