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Jimmy's rare baseball card is robbed. Since it's his only hope to pay for his daughter's upcoming wedding, he recruits his cop partner Paul to track down the robber, a memorabilia-obsessed gangster.
After a clumsy operation trying to capture a drug dealer, the N.Y.P.D Detectives Jimmy Monroe and Paul Hodges are suspended for one month by their Captain Romans. Jimmy decides to sell his rare baseball card to pay for his daughter's expensive wedding while his jealous partner believes that his wife is cheating on him with their next-door neighbor. When Jimmy sells his card to a memorabilia store, the place is burgled by two small-time thieves and the detective loses his card. They track down the thieves.
'Crap' has so many different meanings. Dictionary.com offers 'nonsense; drivel' or 'refuse; rubbish; junk; litter'. Over to Wiktionary.org and you'll find 'something of poor quality' or ' useless object'. Such a versatile word. What's most amazing is how Kevin Smith's latest effort fits every one of those definitions. In fact it seems to embrace and encapsulate those meanings as if it were a good thing; almost like Smith expects this vapid buddy-cop movie to bring back so many memories of the good ol' days of Lethal Weapon or Tango and Cash that we'll just pretend this movie comes direct from the eighties and find it all the more endearing for it. We won't. Cop Out is, quite simply, crap.
What makes those daggy odd-couple action flicks enjoyable is a few things: the set pieces are big, the jokes are funny and the leads share an amusing chemistry. Cop Out manages zero from three. The gun-fights are plodding and dull and none of the cast – with the exception of Willis, but at 55 even he's losing it – are convincing as action heroes. Meanwhile the gags in between fall flat due to a woefully written script and badly timed delivery, but the shonky editing and dreadful sound mixing don't help either. The fatuous screenplay by Robb and Mark Cullen is laughable and makes Michael Bay's movies look like something Shakespeare wrote.
Most disappointingly, the ragtag pairing of action icon Willis and the supposedly humorous Morgan has about as much spark as a lighter without fuel. Morgan especially is unfunny as the shouting, swearing, spitting Paul; his Chris Rock on speed routine is downright annoying and will have you wondering who in the world would find this man comical. The supporting cast give a slither of entertainment with Pollack and Brody's snooty coppers inducing the occasional smile and Scott's chatty crim eliciting a rare chuckle. The less we say about Guillermo Diaz's derisory performance as a Latino gangster the better.
All round garbage.
1 out of 5 (1 - Rubbish, 2 - Ordinary, 3 - Good, 4 - Excellent, 5 - Classic)
I was with a friend last weekend, and we were scrolling through the HBO On Demand movies, and I said how everyone was saying Cop Out sucked. He said that it actually wasn't that bad. (take into account, he is one who thinks Shawshank Redemption is only "OK").
Yesterday, I decided to finally watch this one, and I was surprised with how decent it actually was.
The film is split into 2 parts. The first being the funnier one, goes from beginning to around the scene where Bruce Willis and Tracy Morgan's characters team up with the main villain, Pullboy.
The second half, being more action oriented, has comedy that just seems forced, and I guess is where everyone started to say it was (as the displayed review on the film's page is titled) "Therrible".
But this one is just for fun. Not as good as "Inception" but not as bad as "Clash of the Titans".
DISCLAIMER: TURNING YOUR BRAIN OFF MAY BE REQUIRED TO ENJOY THIS FILM.
3.5/5
There's precious little of that tension to be found between co-leads Bruce Willis and Tracy Morgan, but more than enough between director Kevin Smith and the shoddy script he's elected to take on, and neither seems willing to budge.
Cop Out is a comedy film written by screenwriting brothers, Mark and Robb Cullen. The screenplay started out as a spec script by Mark and Robb Cullen, so Kevin Smith's writing talent was not needed. He did not do a re-write of the script, despite some reports stating so. In his stand-up TV special "Too Fat for 40" he stated that he was essentially taking a break from writing as he tried to figure out why some of his more recent movies (namely "Zack and Miri Make a Porno") weren't doing as well. He realized his life circumstances had changed from the days of "Clerks" and "Mallrats" and that to try to write a movie like that at this stage of his life wouldn't be honest. He liked the script for "A Couple of Dicks" (the original and working title of "Cop Out") and loved growing up watching buddy cop movies with his dad. Jason Lee, who frequently works with Smith, appears in a brief (two scene) role as the step-father of Jimmy Monroe (Bruce Willis)'s daughter. Seann William Scott, Tracy Morgan, and Ernest O'Donnell appear in this film as well. 646f9e108c
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