Take Aim At The Police Van Full Movie In Hindi Free Download
from web site
=-------------------------------------
DOWNLOAD: http://urllio.com/r4pnc
DOWNLOAD: http://urllio.com/r4pnc
A prison truck is assaulted and the two convicts inside are murdered. The prison guard on duty gets suspended for negligence and takes it upon himself to track down the killers.
A sharpshooter kills two prisoners in a police van at night. The guard on the van is suspended for six months; he's Tamon, an upright, modest man. He begins his own investigation into the murders. Who were the victims, who are their relatives and girlfriends, who else was on the van that night? As he doggedly investigates, others die, coincidences occur, and several leads take him to the Hamaju Agency, which may be supplying call girls. Its owner is in jail, his daughter, the enigmatic Yuko, keeps turning up where Tamon goes. Tamon believes he can awaken good in people, but has he met his match? Will he solve the murders or be the next victim? And who is Akiba?
Seijun Suzuki, one of the crazier '60s Japanese directors, liked to provoke Nikkatsu executives' nerves here and there with his strange filming style, but even though Take Aim at the Police Van (the literal translation is even longer), based on Kazuo Shimada's story, is the strangest outing in the box-set, it's still fairly normal for a Suzuki film. His approach to traditional film noir is something else, really.
Right off the bat, you are asked to leave behind all logic and rationality - this is a Seijun Suzuki film, and logic is dumb. Logic is for pussies. Why is the protagonist suspended from his prison guard job for negligence when there really isn't a sensible way to react in the situation he was in? What exactly is the motivation of the agency owner and what's up with her sudden love interest in the prison guard? As you might expect from Suzuki, the plot is convoluted, under-valued and all over the place. It isn't as baffling as his later works, but still. Remember, this is the movie where the villains, instead of simply shooting the protagonists, tie them up in a gasoline truck and push it downhill, then leave the gasoline tap on the back open, so they can set the trail ablaze so that the fire catches up to the truck! It's a pity Suzuki never got to direct a James Bond movie.
Michitaro Mizushima (from Suzuki's Underworld Beauty) is a pretty boring main character, with an almost indifferent reaction to pretty much anything that comes his way. But one odd thing about him is that he acts to track the killers not out of revenge, but out instead to reform them. Or so I guess, because the movie doesn't really explain it well. The villain's death is almost the same as in Rusty Knife, but this one is better because of how outrageous it is. Another oddity about the film is a short nude scene of a woman who gets her boob pierced by an arrow. It's probably unusual to see nudity in a film this old, and it isn't even a pinku, or an independent or art-house production.
The widescreen photography is as slick as you'd expect, with a fetish for road warning signs, rifle-scope framing, immaculate chiaroscuro composition, and other noir staples. The soundtrack is far better than in the previous two films, but rather intrusive. Overall, this was a fun little studio film that leaves some space for Suzuki to play around with the noir style.
Viewed on DVD. Cinematography =ten (10) stars; restoration = ten (10) stars; sound = four (4) stars. Director Seijun Suzuki is unable to overcome a nonsensical scrip or direct/edit scenes to maximize action and suspense. The basic ingredients are there for a potentially top-notch, exciting photo play, but the Director's plodding approach pretty much neutralizes the dynamics. This movie "cries out" for re-editing especially of the climatic scenes which are highly original, but squandered by poor direction/editing. Suzuki also seems to be fixated on showing high-speed vehicles on deserted country roads and sliding around city corners. There is a boatload of these "padding" scenes which add little (if anything) to the story (and often don't make much sense either). The script is just plain lame. For example, it fails to explain the film's title: just why is a police bus shot up (at the start of the film) or, for that matter, why do any of the subsequent murders take place? Trying to turn a dodgy, minor talent agency into a bigger prostitution ring is not much of a plot device. Leading actress Mari Shiraki is allowed to overact in the closing scenes which humorously diminishes rather than enhances the impact of her performance. The jazzy film score is fine, but sound dubbing leaves much to be desired. All vehicles sound the same especially the squealing of tires whenever a car goes around a corner (chronically under-inflated tires?); all gun shots from a variety of weapons sound the same; and sporadic background noise (perhaps from an air conditioner?) in some interior shots only serves to highlight (instead of hiding) the mechanics of how scenes are spliced together (sound comes and goes for even single-sentence line readings!). Cinematography (wide screen, black and white) is excellent with deep focus lighting and some of the best shots from inside moving vehicles on film to that date (practically no phony rear-screen projection is employed--what the viewer sees is really happening!) Using filters to render day for night, however, is a bit of a distraction, since it is obviously phony (other night scenes appear to have been filmed in the dark and look great). Recommended for film-school students studying how not to make a movie. WILLIAM FLANIGAN, PhD.
646f9e108c
the Dead Flowers hindi dubbed free download
Neogenic Nightmare Chapter 11: Tablet of Time full movie hd 1080p download
$lowdown torrent
Wine Wars full movie download in hindi
BattleTech download movies
the Hold the Line download
Strike the Blood song free download
tamil movie dubbed in hindi free download Kitana Mileena: Part 1
download full movie 18 Wheels of Justice in hindi
Poop Deck movie free download in hindi
