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In Macau, a family is attacked by three killers and only the wife survives severely wounded. Her father, the French chef Francis Costello, travels to Macau to visit his daughter in the hospital and steals the photos of his daughter, her husband and two children from the police department to seek revenge against the killers. Costello stumbles with the independent hit-men Kwai, Chu and Fat Lok that are under contract with the mobster George Fung at his hotel and he hires the trio to hunt down the killer of his daughter's family. They locate the killers in Hong Kong and they travel to kill them. But they have a surprise when they discover who ordered to kill the family.
A French chef swears revenge after a violent attack on his daughter's family in Hong Kong, during which her husband and her two children are murdered. To help him find the killers, he hires three local hit-men working for the mafia.
I didn't know who Johnny Halliday was and someone here hilariously described him as an alien lizard, which apparently plastic surgery has helped with the transformation. I'll say that 5 is an average forgettable film. This one is a little better, but it's nothing new and ultimately fails to be a movie you'd look forward to after repeat showings.
The actors are actually quite good and the leads have character. The sets and cinematography is also good - as is the camera-work - and much better than your traditional Hong Kong chop-socky films. Unfortunately this film ultimately fails in too many ways and that is really a shame. Too clichéd, too much focus on style and too little on sense with a middling script that is a little questionable, to say the least.
1. Scene one there is a display of the master level of proficiency each of the "good" villains have with a gun. Forward a short while later and nobody can hit an elephant if it was standing still - since that would probably spoil the length of the chase scene.
2. The opening scene itself didn't make any sense, since the characters themselves admit what they "should have done" and which the Johnny himself could have made clear right from the start. This is not the only examples of characters doing things for a movie style and to further a plot rather than what is clearly natural.
3. There is almost a sense of characters doing things and "dying in honor" because of the plot, not because of the way people generally act. If you've got problems, you get out. You don't stick around believing you'll pull off the impossible. And then there are some pretty interesting scenes that are "cool to watch" but also seem like stunts that go beyond even suspending disbelief.
And then there are the clichés, clichés, clichés... I'd really like to give this film a better rating and will say that it's certainly watchable. It's just a failed opportunity.... especially the ending... which could not be more predictable and utterly clichéd in the way it is handled. More disbelief. Enjoy it for what it is.
If you are familiar with Johnny To's gun movies you know you can expect beautiful almost dancelike gun play sequences. This movie is no exception.
The 1st Johnny To movie (that I know of) was The Mission, the poses, camera angles and shots of guys with guns were breath taking beautiful, almost erotic. Same with the follow up in Exile. Vengeance brought it to a new level. The shoot out in the park added, "moonlight" and "shadows from clouds" to the effect.
The usual suspects of course are great, these guys have portrayed triad hit men so often its probably as natural as breathing. Throw in Johnny Hallyday, the French Elvis, into the fray. Johny is OLD, 66 when this movie came out, and he looks old. His acting is still as bad as ever but luckily Johnny To's movies does not require deep acting nor dialogue. In fact i found Johnny rather off putting, especially shots of his face...he looks like a mummy with dead eyes.
The movie is great, the story is the usual gangster fare. Johnny's travels to Macau to avenge the murder of his daughters family. teams up with the local hit men to go after the killers. Plot twist, seems the hit mens' boss was the one that ordered the hit. Big gunfight ensues.....
The part that i found disappointing about the movie was the lack of character development on Johnny's character "Costello". He says he's a chef but can handle a gun. Then he reveals in 1 line of dialogue that he was in the business before as the hit men. Thats it and the point is simply never brought up again. Oh he suffers from Alzeihmers from a bullet tot he head.
Good movie, something I would recommend just on the beauty of the gun "dance".
More than once does To's grandiose imagism miraculously grant this rote thriller a gleam of the sublime, as in a trash-dump face-off staged as an epic field maneuver, or a campground shoot-out timed to the fickle light of the moon.
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