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During the Vietnam War, three U.S. Army troops, led by the tough-hearted Sgt. Holt, survive a Viet Cong ambush and rescue two undercover agents, named Hawkins and Jensen, whom are seeking out a mysterious Army Intelligence agent, known only as 'the General' who has classified documents detailing an illegal arms deal between a corrupt Army general, named Delevane based in the Pentagon, whom is involved in an arms-for-profit deal with a corrupt U.S. Army officer back in Vietnam, named Colonal Harker, whom has his men led by the murderous Lt. Smitty seek out 'the General' and kill him before he can disclose the info needed to end the war. As Holt and his men try to survive from both enemy Viet Cong soldiers and corrupt U.S. troops from killing them, he eventually learns that the people whom he thought he could trust are his enemies, and those whom he thinks are his enemies are really his only allies.
A squad of U.S. troops seek out a mysterious agent hiding out in the jungles of 1960s Vietnam whom has classified documents that could win the war.
Get ready for yet another romp in the jungle courtesy of David Prior and AIP. In this particular Vietnam war scenario, Sgt. Holt (Matthews), Cpl. Butler (Zipp) and Cpl. Adams (Holton), among other soldiers, are bravely fighting in the impossible conditions of the 'Nam jungles. During a firefight, they rescue two Tunnel Rats, Jenson (King) and Hawkins (Cianetti). It comes to light that there is a mysterious, unseen man, dubbed "The General" that has classified documents that could supposedly end the war. Much of the madness can be traced back to Washington and the corrupt George Delevane (Spinell). In a Firehawk-like situation, the soldiers don't know who to trust, and there could be a conspiracy that goes all the way to the top. Will Holt and the boys make it home alive? Or will the behind-the-scenes dealings get the better of everyone? Mindless shooting. Exploding huts. Endless machine gun firefights. Uninteresting explosions. Brain-numbing stupidity. Inexcusable boredom. Zero character development. Unexplained Australians. Goofy chases. Prerequisite torture sequence. An unnecessary fistfight scene that is so absurdly extended it makes the "put on the glasses" scene from They Live (1988) look like a blip. These are some basic snapshots that should give you some idea of the "we have to sit through it" vibe of Operation Warzone Matthews, Zipp and Holton are all AIP regulars, doing many things both in front of and behind the camera. It seems, contractually, Zipp cannot be in a movie that doesn't take place in a jungle. So he must have been right at home. Holton looks completely different that he did in White Fury (1990). In 'Fury he's a snot-nosed little punk, and here he has an adult mustache and appears at least ten years older - but 'Warzone came out two years BEFORE White Fury! How quickly they grow up...or something like that. The legendary and excellent actor Joe Spinell is on hand, and his presence is much appreciated, but it's what we call a "sit-down" role. In other words, in many instances, from Mickey Rooney in Maximum Force (1992), to Henry Silva in Violent Breed (1984), to Spinell here (just to name a few), the movie production will hire a name actor to do some scenes over the course of a day or two, give or take. But all the actor's scenes are sitting down. They never leave their chair. It just kind of exposes the penury of a given production. Here Spinell gives his sit-down role, which is better than many of the other actors' more action based scenes, but the bottom line is the movie definitely could have used much more Spinell.
Another thing worth mentioning is the highly inappropriate music. Although the movie is set in 1960's Vietnam, a happy, upbeat, jaunty 80's synthpop song that sounds exactly like Wham!'s "Wake Me Up Before You Go-Go" blasts onto the soundtrack. I know it seems incredible, but it's true. What were they thinking? That being said, Steve McClintock's closing credits dirge "Shadow Of A Doubt" is catchy and one of the best things about Operation Warzone. You gotta hand it to AIP. Almost all their movies have at least one catchy, memorable, original song. It's really a fairly dependable thing. No matter how "bad" the movie is, at least there will be a song. When is someone going to release a CD, "AIP's greatest hits"? It would be amazing! Dumb on top of dumb on top of dumb, Operation Warzone is a misfire.
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My father is notorious for picking out terrible movies from the bargain bin at the rental store. My friends and I like to go through the stuff he's hand-chosen and give it a watch just for laughs.
This movie was one of those.
But we didn't get normal laughs out of it, oh no. They were roaring laughs of incredulity and surprise. One thing we kept thinking was "how does this movie exist?" One friend made an excellent point: it's only considered a film because it's BEEN filmed. It carries no natural facets of film-making...there's completely unnecessary twists (and I mean UNNECESSARY) and scenes that go on for far too long (think 5 minute fist fights where both opponents are tired, but just don't stop until they both fall over), and you can't tell it's supposed to be in Vietnam until they tell you it's Vietnam. The Vietnamese looked like a couple Philippino guys.
The story is that this war exists solely for financial gain. They maintain that this is a complex storyline on the back of the case, but I see no signs of this. It's just vaguely explained in some scene that I was too busy laughing about. And while we're on the subject of accurate warfare, let's talk about the fact that there's hand-to-hand combat way too often, there's INTRIGUE (or attempts at it, anyways), and weird chase scenes that smack of a 30's silent film. The tagline is "they told 'em war was hell...they were right!" This leads me to believe they actually thought this to be an accurate representation of war. It's almost an appalling concept.
There was a point at which I was actually trying to figure out if this was an elaborate joke that one man made on his spare time, or that the movie was supposed to be a comedy but it was too subtle. It was at this point that there was a dramatic scene with explosives and running, but the music sounded exactly like - I swear to god - an aerobics video from 1986. The music literally never matched the scene it was trying to help along. And it was directly before this that some unexplained Australian character came along and said "cut through the dingo s***!"
Maybe his character had been explained earlier, and I was too busy laughing to notice.
I'm positive this movie is one of two things: an ingenious comedy, or probably the worst movie I've ever seen.
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