Slaughters Big RipOff Full Movie Download 1080p Hd
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DOWNLOAD: http://urllio.com/r4rtl
DOWNLOAD: http://urllio.com/r4rtl
Vigilante Slaughter comes under attack from Duncan, a local money launderer whose hit-man traps Slaughter in a car at a cliff, but Slaughter escapes, arms himself, and goes after Duncan's hideout.
A mob kingpin(Ed McMahon) murders Slaughter's(Jim Brown) associates and he seeks to get even.
Duncan(McMahon)puts a hit out on Slaughter, but his friends get shot instead while the gunner flew over his party in a Spearman. Duncan goes to his reliable trigger man(mechanic), Kirk(Don Stroud)to clean up the mess left in the wake of this failed hit. But, Slaughter isn't about to go down without a fight.
Plot's simple as that. A revenge actioner where big Jim Brown takes out a mobster's goons as Kirk targets him for extermination. Duncan is in bed with the chief of police(..and other city officials) and Slaughter must secure a list with his name on it for detective Reynolds(Brock Peters).
Fans of Jim Brown and blaxploitation should enjoy this, but the plot itself really isn't anything to write home about. Brown, built like a mack truck, makes both black and white women swoon and kicks a lot of ass..a tailor made vehicle designed specifically to make him look cool while defeating those who wish to kill him. Dick Anthony Williams steals the film as a sneering pimp, Joe Creole, who also has a reputation as a safe cracker and is enlisted by Slaughter to lift the list from a safe in Duncan's mansion. Stroud inhibits the usual heavy role of Kirk, a ruthless, cold-blooded henchman who has obviously eliminated a lot of Duncan's competition.
The yummy Judith M Brown has a minor role as a former squeeze of Slaughter's who negotiates with him over information regarding those he is after in return for sexual favors(..and, we get to see her fabulous nude body as she disrobes for Slaughter, who didn't need too much coaxing). Gloria Hendry(Live and Let Die) is Slaughter's girlfriend, Marcia, her life soon threatened as Kirk desires the list for his boss. Hoke Howell has a funny cameo as a plane mechanic who, at first, doesn't give out the name of the person who hired the Spearman which flew over gunning down Slaughter's friends. Scatman Crothers stops by as an old friend of Slaughter who leads him to Creole as a favor in regards to finding someone available for opening Duncan's safe.
Preposterous sequence where Slaughter somehow survives a car's plunging into the ocean after driving off a cliff, and how he's able to move about freely despite the powerful connections of Duncan is a major logical problem(..you'd think Duncan would have gunmen throughout the city with Slaughter encountering them everywhere he goes, but this is not the case). Plus, the whole opening sequence doesn't properly set the stage for the revenge of the movie(..shouldn't we get to know Slaughter's comrades a bit before they are murdered?). It does deliver the violence, though, as Slaughter lives up to his name, blowing away quite a many of Duncan's men, with blood all over the place. Brown's sheer charisma and presence are of major importance as the plot itself doesn't exactly do him any favors. It's too bad the film doesn't use McMahon more because he is fun to watch as the mafioso with those big shades and ugly suits.
Somehow, this film burrowed it's way into the soft spot of my heart. Don't ask me how it happened, but I suppose having the film feature Ed "I'll Sponsor Anything" McMahon as a tail-chasing crack hustler had a bit to do with it.
Frankly, I was disappointed with Slaughter's first outing in 1972. Nothing more than a quick throw-together to follow Shaft-mania. How does the sequel get away from this? Big Jim Brown seems stronger as Slaughter here than in the first. Perhaps this is due to the fact that one year later he had something to work from, instead of his simple "Be like Shaft" motivation before.
The most outstanding part about the film is the soundtrack provided by pimp-daddy number one, James Brown. Almost every scene is graced with a touch of funk by the Godfather. An excellent period film, for the music, wardrobe, vehicles, lingo, and hair. I should also point out this film is also an excellent period film to represent a time in motion picture history when Jim Brown and Ed McMahon could actually GROW hair.
Double the chicks, double the blow, triple the body count, and factor in Ed McMahon and James Brown. You'll be in for one hell of a 70s action flick, and one that outshines it's predecessor no less. For my money, Slaughter's Big Rip-Off can play ball with any Blaxploitation film ever made. Even Shaft. Chances are you'll disagree, but Slaughter's Big Rip-Off has it's own distinct feel. Something the original was lacking.
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