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After reluctantly agreeing to let his 17-year-old daughter, Kim (Maggie Grace), go to France with her best friend, Bryan Mills (Liam Neeson) is horrified to hear that she is kidnapped by an Albanian gang whose specialty is prostitution rings. With only 96 hours to go before he'll never find her again, Bryan rushes to France to save her. As a former CIA agent, he has all the skills necessary to rescue her - if he can only find her.
A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris.
Wow! Judging from the reviews on this site you would think "Taken" was this incredible, non-stop thrill ride, when AT BEST, it's a disappointing rental. Every aspect is far fetched beyond belief.
The nasty ex-wife, the rich step father that gives the step daughter anything, who begs the lead for help after he realizes he was wrong,the naive daughter who is kidnapped 20 minutes after getting into the country. Then Liam Neeson springing into action and blowing up every and anything.
Every step of the way this film never rises above cartoon status. Reading the comments on this site, I'm frightened for the future of man. Then again, "Mall Cop" was number one two weeks in a row, so I was already afraid.
Adverts for this film had me looking forward to, at the very least, a formulaic that cannot fail: Bad guys get their due by the hand of a righteous good guy. Vengeance is served somehow, and all that. Overall, the film delivers on its promise.
It is not exemplary in its genre however. I wish I could cite a title that really gives that satisfaction that is set up by the words 'I will find you and I will kill you'. A film or TV show that does that is a rare find.
To get that vigilante righteousness where you can applaud the protagonist for banging heads and killing everyone that crosses his/her path is a key issue. It most often requires that the antagonist be really really bad, to the point that that their crimes are so disturbing as to be unimaginable. This is perhaps why I cannot name a more satisfying film. I may have blocked it out.
Perhaps "Die Hard" could be called into play here, because I recall it was eminently satisfying and not too disturbing. But "Die Hard" does not exactly fit into this genre. It should not be a spoiler to say that kidnapping is an element of both, but that alone would hardly describe either film.
"Taken" does not spend enough time on the guy that offered 'good luck'. You barely know who it is before it is gone from the story. Once you see it, you will agree that this is no spoiler, the film and the adverts did that already. Action sequences are implemented with more cuts than bristles on your toothbrush.
It is more convenient to have a series of action sequences filmed and then piece them together in an ineffective effort rather than choreograph them before the start. This shortcut has plagued many an otherwise good film and "Taken" is no exception. See, I just did that. You have no idea what I am saying.
I will now make it clear, this movie is not all that great. It was not bad, I enjoyed it. I watched it alone and was expecting to re-watch it with someone else once I could recommend it, but I cannot. I will not invest another 14000 heart-beats that would be required for a 2nd viewing.Evren Buyruk from USA ..
There is no mythology, no irony, no real soul--just a Charles Bronson simplicity about the whole affair.
Retired CIA operative Bryan Mills (Liam Neeson) reluctantly allows his 17-year-old daughter Kim (Maggie Grace) to fly to Paris with her girlfriend Amanda (Katie Cassidy). Not more than a few hours after landing in Paris, Kim and Amanda are kidnapped by Albanian sex-traders. Bryan immediately hops on a flight to Paris in order to track down his daughter, vowing to stop at nothing to get her back. Taken is an original script by French film-maker Luc Besson and American screenwriter Robert Mark Kamen. Two sequels followed: Taken 2 (2012) (2012) and Taken 3 (2014) (2015). When Marko (Arben Bajraktaraj) is being interrogated by Bryan, he says that Kim was a virgin and that they don't deal with virgins, so they sold her to a man named Patrice Saint-Clair because virgins fetch a very high price. St. Clair's client turns out to be a sheik (Nabil Massad) who has a penchant for deflowering young girls. Bryan reaches the quay just as the boat carrying his daughter leaves the dock. He steals a car and drives along the quay until he passes the boat, stops his car on a bridge, and jumps on deck as the boat passes under it. After fighting his way past almost a dozen guards and getting himself shot in the leg, he makes his way to a bedroom suite where he finds a fat sheik holding a knife to Kim's neck. The sheik starts to negotiate, but Bryan shoots him between the eyes. Kim starts to cry and rushes into her father's arms. In the next scene, Bryan and Kim are arriving at the Los Angeles Airport. They are greeted by a tearful Lenore (Famke Janssen) and her rich husband Stuart (Xander Berkeley). Lenore hugs Bryan in thanks, and Stuart offers him a ride with them, but Bryan decides to take a cab. In the final scene, Bryan takes Kim on a surprise visit to the house of pop singer Sheerah (Holly Valance), who invites Kim inside so that she can hear Kim sing and "see what [she] got." By the time anyone would have spoken up, if ever, Bryan was likely on his private jet winging his way back to Los Angeles. Once back in the States, the U.S. government isn't about to hand over one of their CIA operatives.Taken is most often compared to Commando (1985) (1985), in which a retired army commando will stop at nothing to find his kidnapped daughter, and to Man on Fire (2004) (2004), in which the ex-CIA operative bodyguard of a young girl searches relentlessly for her when she is kidnapped. If you're into South Korean cinema, you could check out Ajeossi (2010) (The Man from Nowhere) (2010), which is very similar to Taken in many aspects. There are three versions. The first is the international cut, released as an "Extended Cut" (unrated) on home media in the US, and as an "Extended Harder Cut" (with an "18" classification) on home media in the UK. The second is the UK cut, which is nearly identical to the international cut, with the sole exception of the torture scene (the clamps are attached to the chair in the UK cut; in the international cut, they're attached to spikes which are stabbed into the man's legs), which was cut to secure a "15" classification. This cut was shown in theaters in the UK. Finally, the third version is the US cut, edited by 2 or 3 minutes to receive a PG-13 rating in the US. This cut was shown in theaters in the US. There are three DVD releases in Region 1—(1) the Single-Disc Rental Exclusive, (2) the Single-Disc Extended Cut, and (3) the Two-Disc Digital Copy—and the Blu-ray release in Region A. In Region 2 / Region B, there are (1) the Extended Harder Cut DVD and (2) the Blu-ray disc. 646f9e108c
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