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Emanuelle goes undercover into a prison to expose the corrupted officials who are brutalizing the inmates. Emanuelle is shocked by the horrors and humiliation the prisoners are subjected to, but when her true identity is discovered, she finds herself at the receiving end.
After the sordid delights of 'SS Camp 5 - Womans' Hell' and the bleakly disturbing 'Womans' Camp 119', Bruno Mattei says farewell Nazis and, plumps instead, for a bunch of jailbirds for his next 'women incarcerated' chunk of sleaze.
It is unfortunate I didn't have a copy of 'Blade Violent' to compare this with, this film used the same cast,same sets and virtually same plot. A plus point is that I can review this purely on single merit. On a whole this is a fairly average entry in the Women In Prison genre, featuring three scream queens Gemser, Stoppi and De Selle taking the main roles. Unfortunately these stalwarts of sin cannot save this movie from being a little mundane. The movie tells the tale of our intrepid reporter Emanuelle (Gemser)undercover in a female penitentiary as an inmate. Her task is to report on the corruptive and inhumane practices within the prison/penal system. Eventually we are thrust into the unsavoury W.I.P world where beatings are regularly brandished out by deadpan officers with bad hair, sapphic shennanigans are occurring regularly by the suitably looking 'rough' females and there is of course the obligatory humiliation, mental and physical.
I am unsure whether it is because this is Matteis' first stab at the W.I.P genre (though SS films can't be all that dissimilar surely ?) but I feel the whole movie is rather a tame effort. There a few nasty surprises that borderline on the humourous such as the 'poo punch-up' and a very novel way of bell ringing. The rape sequence, although voyeuristically unsettling to begin with, you gradually find yourself amused as two inmates play pass the parcel with a scantily clad virgin most of this sequence and you wonder in disbelief whether this will end or not.
The direction is well achieved as Mattei uses commendable editing, although the sets are basic, there is still an oppressive decay to the whole affair. Most of Matteis genre films 'Zombie Creeping Flesh','Rats;Night Of Terror','Womens Camp 119' seem to have this vein of industrial atrophy, clinical but chemical and it is this polluted environment that always is the backdrop to some of Matteis' movies making them seem 'nasty'.
Despite sniggering at the dialogue, cringing at the effects and laughing at the dire continuity you always sense a stagnancy that sets the tone from the first frame and lingers throughout until the very last credit. I appreciate Mattei as a director for his grim 'simplicity' and his matter of fact 'I-made-the-films-because-thats-where-the-money-was' attitude. I often think Mattei could've moved onto bigger things but on occasions has been incorrectly underrated.
Buy this to add to the Emanuelle collection, The Mattei collection or WIP Collection that may grace the living room shelf.
VIEWED; UNCUT UNRATED R1 DISC - 99 MINUTES
Gutsy reporter Emanuelle (luscious Laura Gemser) goes undercover as an inmate in a women's prison to expose the corruption and brutality going on inside the place. When her identity is revealed, she incurs the vicious wrath of the sadistic staff. Veteran Italian trashmeister Bruno Mattei, working from a suitably seamy script by Olivier Lefait and Ambrogio Molteni, scrupulously covers all the spot-on essential slimy bases: abundant tasty distaff nudity, lurid lesbianism, sizzling soft-core sex scenes, ferocious rape, rough'n'tumble fisticuffs, mean and cruel guards, a grimy location, an exciting last reel break-out, a few lively catfights, a dark and gritty tone, and a simply fantastic sequence with Emanuelle being attacked by nasty red-eyed rats after she's placed in solitary confinement all add up ton provide a quite sleazy and hence most enjoyable piece of low-grade schlock. The sturdy cast of familiar Italian exploitation cinema regulars helps a lot, with stand-out contributions by Gabriele Tinti as the kindly, humane Dr. Moran, Lorainne De Selle as the wicked and depraved warden, Ursula Flores as the fragile Consuelo, Maria Romano as the snippy Kitty, Francoise Perrot as ruthless and predatory snitch Hertha, Jacques Stany as the crooked chief inspector, and Leila Durante as wise old felon Pilar. Luigi Ciccarese's polished cinematography makes all the filthy goings-on look slicker than they probably deserve. Luigi Ceccarelli's bluesy'n'jazzy pounding rock score hits the right-on groovy pulsating spot. Worthwhile viewing for babes-behind-bars buffs.
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