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We Still Kill The Old Way Full Movie In Hindi Free Download Hd 1080p
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When retired East End villain Charlie Archer is murdered by a feral street gang, his brother Ritchie returns to London from Spain to investigate.
Full disclosure here: I only watched the first fifteen minutes of this, and turned it off for a number of reasons. So take what I write with that in mind. I suppose the best thing to say is that this is definitely a throwback to the vigilante movies of the late Michael Winner, who made his mark with the similar in theme Death Wish in 1974.
This is not necessarily a good thing. This movie shares Winner's perfunctory and clumsy direction, and a sledgehammer wit reminiscent of bad silent comedy. Then there was his need to paint bad guys as subguttural enemies of mankind. The director of this movie shares all of these traits. Especially the last. In the brief sequence I saw, we witness a gang break into a flat, graffiti all over the place, urinate on furniture, and the lead thug disrespects his girl and later gets her raped by his own gang. I haven't seen him throw a kitten into a meat grinder, but I wouldn't be in the least bit surprised if that was shown later, just in case we didn't get that, yes, these are bad guys.
And yes, I've seen enough revenge movies to understand the reason for this (to make the bad guys' inevitable demise all the more satisfying). Except that in most revenge movies, it's an ordinary guy, an Everyman, who gets pushed to the edge and has to fight back. Here, some retired London gangsters, who probably did things just as bad as the hoodies they're battling.
So, I switched off. Not because I'm squeamish (I was practically breastfed on Italian zombie gutmunchers) but because these story lines no longer interest me.
It's a nice if not original idea, bolstered by good perts from the two main protagonists and a decent supporting cast. The script's the problem and as William H. Macy pointed out, that makes for an insurmountable problem. The movie begins well enough, certainly well enough to make you think it's going to be an interesting ride. We watch Ian Ogilvy and Danny-boy Hatchard in their respective territories and we know we're heading for conflict. Then there's Stephen Berkoff and things are looking up. And that's as good as it gets. We lose Berkoff and we're back to a more simple film but that's OK. What's not OK is the lack of audience empathy that it demonstrates. Berkoff's way too interesting to introduce and then lose within a few short minutes. And that lack of empathy continues. There's a scene, actually a couple of scenes, in which the old school gangsters torture the new kids on the block. Trust me, you really want them to suffer. And they do, just not enough. We're left wanting and that need is never satisfied because from that point the film takes a turn for the worse. Basic scriptwriting rules are abandoned and any vestigial connection with reality, or even the reality of the world of this film, is broken. By the end, you really don't care. But this flick still thinks it has one card up its sleeve. A final scene that references The Italian Job. Oh, please!
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