The Business Man Download
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DOWNLOAD: http://urllio.com/r50ri
DOWNLOAD: http://urllio.com/r50ri
Surya (Mahesh Babu) comes to Mumbai with a sole aim to become "Bhai" for the city. He starts his mission by recruiting rowdies for monthly salaries. He eyes Mumbai Police Commissioner's daughter Chitra (Kajal) and loves her. How did he become Bhai and turn out to a big Businessman, forms rest of the story
Surya comes to Mumbai on a mission to rule the Mumbai Mafia but he ends up falling in love with Chithra, the daughter of a police commissioner.
A slick screenplay + Mahesh Babu + Puri Jagannadh = Business Man
A combination that rocked the screens before almost created another blockbuster. The concept was new but for viewers who are not fans of either Mahesh Babu or Puri Jagannadh may not appreciate this movie too much.
The beginning seemed to make no sense but as the movie progressed things began to piece together. A few scenes with Kajal Aggarwal and her friend seemed odd in the movie. Kajal definitely overacted and had no substance in this time around. If her parts were cut out, the movie would have still been the same.
Mahesh Babu's new avatar is indefinably worth seeing. A charming and cute boy-faced man has turned into a rugged tough guy. He reminds audiences once again that he can carry any type of role with ease. His dialogue delivery was superb and his style was unique.
True to his words, Puri Jagannadh does make movies for the sake of making a movie. He deviates from his usual style and presents a different take on movies.
The cinematography is worth mentioning because it really enhanced the movie. The editing was awesome, making the movie quick and enjoyable. The songs are good too.
Overall, this movie is different and a must watch for fans of either Mahesh Babu or Puri Jagannadh. Those not familiar with either of their works may find it hard to understand.
The Businessman has a mix of action, image, dialogue and montage but what makes it entertaining is that all the above quantities are inextricably bound and linked together at every level with an admirably tight script. It is a regular story but structurally, technically and content wise, the director makes no mistakes. He puts the passion of Neninthe, entertainment of Dhookudu and structure ofPokiri to churn out a story that really means business. The film benefits from other pre- release factors like Mahesh's super success of Dhookudu, Thaman's 'inspired'tunes that have already become a big hit and finally the lessons that Puri Jagannadh had learnt from his recent string of flops.
The film has no frills, no vulgar wastage and the hero is practically in every frame; you hear only his voice, he looks good, sounds good, he also steals the comedian's job. The story is woven around a man who is hungry for power and grows by leaps and bounds to become a mafia don at a time when the competition is zilch in Mumbai. With little brawn and more brain he becomes a successful businessman, as crime is his business.
The thrills for the audience, amoral enjoyment arrives with every step that Surya (Mahesh) climbs, he has the uncanny ability to deceive, to lie convincingly on all scales, as though this was second nature. Yet he is compelling when he speaks the truth. Mahesh plays it straight. His growth should have been slightly slow in the first few minutes allowing the audience to settle down with his character.
The choreography is disappointing. No complaints on Kajal Agarwal's work, but the innocence in her eyes is gone. Ayesha who plays her friend is irritatingly screechy. The film has been given an A certificate not for violence or obscenity but for the dialogues that have the unmistakable Puri Jagan touch — rustic, raw and very profane.
Jagan repeats most of the Pokiri team — Nasser, Prakash Raj, Sayaji Shinde, Subburaju and Brahmaji. However, there is no hangover as all the performances are fresh. The director's son Aakash who worked in Lotus Pond plays the young Mahesh here. Shweta Baradwaj's We Love Bad Boys borders on the vulgar, and there are scenes where the hero rolls out expletives, in muted fashion though the lip movement makes it very clear what the character is saying. Smart work, Puri.
The director's tribute to Mumbai mafia redefines a cool and a brisk flourish. It seems like Puri cannot resist giving the hero's character a Robinhood touch. All in all, The Businessman is a good festival serving of cinema that brings back director Puri Jagan in form and officially crowns the hero for delivering two back-to-back hits.
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