The Driver In Hindi Free Download
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A getaway driver becomes the latest assignment for a tenacious detective.
In Los Angeles, a young man, a getaway Driver for hire, is confident in his abilities which includes being able to outwit those who may be in pursuit, most likely the police. As such, he has professional standards, can pick and choose which jobs he will do, can command top dollar for his services, and has never been caught with the police not knowing who he is. He has a Handler, she who organizes those behind-the-scenes items that his associates do not need to know for him to carry out his work successfully. She has however stated that she will not risk her life for him. He will not tolerate associates who do not carry out the robberies according to plan. It is because of one of those errors by his associates in carrying out a casino robbery that the Driver knows that one of the casino Players got a good glimpse of him before he was able to get away. The Driver will have to understand and work to the motivations of the Player to elude capture. A police Detective investigating the casino robbery is however certain that the Driver was involved in the casino robbery, as well as was the getaway driver for several other high stakes robberies, this certainty about which he is up front with the Driver. He will have to get a positive identification from the Player for a conviction specifically for the casino robbery. In addition, the Detective decides he will set up an unauthorized sting to nab the Driver in action. The sting involves co-opting captured robbers to carry out a real life robbery, with them hiring the Driver to orchestrate and conduct the getaway. Despite the Detective being confident that the sting will work, his police associates are less confident, they knowing that anything going wrong, including anyone being able to get away with the money and/or someone innocent being killed, will certainly mean their badges. The Driver, who knows that the Detective is out for him, has to decide how much he will risk for the bigger than usual reward, which includes knowing that he outwitted the Detective at his own game.
Nocturnal urban crime thriller that is more about style than realism stars Ryan O'Neal as a professional getaway driver and Bruce Dern as his obsessed-cop nemesis. With its spare dialogue and stoic delivery, it plays like a distinctly American homage to French crime auteur Jean-Pierre Melville (LE SAMOURAI), right down to the mysterious woman (Isabelle Adjani) who provides an alibi for the opening caper. Director Walter Hill makes excellent use of locations, wardrobe, and vehicle paint schemes to create a world that is lawless, eerie, and desolate, sleek and colorless, where the days are short and the nights are very, very long.
The "distinctly American" part comes as a series of tense, brutal car chases. These drive the movie, but they do it in a way that transcends their sub-genre and fits the mood. The wrecks don't burn, they scrape and slide and leave trails of crumpled steel. This high-speed symphony, enhanced, throughout, by Michael Small's score, never grows tedious; it builds on itself and crescendos when it should.
Dern, whose usual down-home demeanor is here a tissue-thin veil over spit-house lunacy, runs his elite detective squad out of vans and barrooms; there is no police station. Wraith-like Adjani, always watching, rarely speaking, has an aura that perforates the screen. Rudy Ramos, who gave a memorable one-scene performance as a howling bandit in the Dirty Harry film THE ENFORCER, here plays a villain who takes to the landscape like a mad dog to a junkyard.
When the cast credits roll, even the headliners have generic labels instead of character names, The Driver, The Detective, The Player, The Connection, maintaining the bare-bones feel until the screen goes black.
Keep it simple. An action story doesn't need plot twists, love interests or emotional depth to produce an effective film. Just a straightforward plot, like The Driver has. Even the credits reveal that we don't need to know names, as if the film had no intention of letting viewers be emotionally invested about any characters. Bruce Dern (The Detective) and Ryan O'Neal (The Driver) excel at keeping their own characters on point; A-type personalities who have been battling each other for months.
They don't want to be likable. They put their heads down and focus on their end game. The Driver shows his mettle through deeds and few words. In one scene, he was compelled to demonstrate his skills. He winds up showing how he could even be skillful at destroying the car to the objections of his passengers. While The Driver is about substance, The Detective boasts more than he delivers. Even when he kills someone The Detective overdoes it.
It's a rat chase where there's zero moral lesson by the time the credits roll, because there is no good guy, only two different people who wind up ignoring the right thing to do in order to get the better of the other. Those who have any moral convictions get ignored and belittled while the main players obsess over each other.
It's interesting how a feature can demonstrate the ability to keep your attention. There is no theme music, and the only time that any music plays at all is when there is no chase. Although some scenes had stunt stand-ins, the actors did most of their own driving and chase sequences. The Driver reminds me in some ways about the Terminator, which perhaps may have been influenced by the story line and cinematography.
Most of the scenes happen at night, which reveal L.A's seedy underbelly. And like Terminator, the prime characters have minimal dialog, speaking only when they really need. Even some of the vehicles used in The Driver looked similar to those in Terminator.
The Driver is a great action flick which shows how films can be made again, without all the fluff, high moral ground and theme songs. The result? Entertaining mayhem, filled with twisted bumpers and shredded fenders.
In the US, the movie is slightly cut compared to the European releases. A longer dialogue between the driver and the gambler is missing during the first half of the movie. 646f9e108c
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