Branded To Kill Full Movie In Hindi Free Download Hd 1080p
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The number-three-ranked hit-man, with a fetish for sniffing boiling rice, fumbles his latest job, which puts him into conflict with a mysterious woman whose death wish inspires her to surround herself with dead butterflies and dead birds. Worse danger comes from his own treacherous wife and finally with the number-one-ranked hit-man, known only as a phantom to those who fear his unseen presence.
The film's story centers on Hanada, a.k.a. "No. 3 Killer," the third-best hit man in Japanese organized crime. Near the top of his game, his fortunes change when he encounters Misako, a mysterious, death-obsessed woman who brings him a particularly difficult mission. In a famous moment indicative of the film's eccentric sensibility, a butterfly lands on his gun's sight at the exact moment he pulls the trigger, causing him to miss the shot. This failure means that the killer becomes the target, and must run for his life from his former employers, and the mysterious "No. 1 Killer." While the film does contain some spectacular action sequences, the story is played less as a suspense thriller than as a surrealistic, psychosexual nightmare, filled with grotesque imagery and strange touches, from Hanada's fetish for the smell of boiling rice, to Misako's use of a dead bird's corpse as a rear-view mirror decoration.
The absurdity of this movie is what hooked me in with its over the top performances, violence, and sex scenes. All captured by stylistic crazy camera angles and effective black and white cinematography, along with some erratic editing. The influences surely came from comic books.
Most importantly is the story structure which was a fabulous total mess. It was structured in three parts. First part dealt with a series of shoot-ups and car chasers of the comic book type as Hit-man Number 3 attempts to protect a mysterious person. Once the violence was established and dealt with, we move onto the next step - SEX. The second part was all about our hit-man's sex fetish and mistreatment of women. Very revealing for a 1967 movie, once again showing that the Japanese cinema was way ahead of the Westerners. The third part was what interest me the most, and that was the cat and mouse game between Hit-man No 3 and 1. A very twisted and comic section that had my attention right to the very ending.
Director Suzuki delivered a fast paced modern Samurai tale of honor and heroism amongst hit men and lowlife's. So strap yourself in for some epic Japanese masochist action!
After viewing Seijin Suzuki I thought, "This guy violates the classic narrative rules of space, time and hell, motivation. And it's so damn hip." The sex scenes are a wonderful example of this phenominon; Hanada and his wife are having sex. Sometimes Hanada is sniffing rice, sometimes they're making love on the stairs, sometimes his wife is complaining about how Hanada's only sweet to her when they're in bed, then they're back to making love. They could have been in that house procreating for five minutes, they could have been at it for weeks. The location shifts so much from shot to shot that the experience of time becomes altered, and it adds a lot to the quirky hip atmosphere of the film.
Instead of letting information sink in Suzuki just keeps the ball rolling with the character developement and the plot progression. There's a scene where Harada has to kill three people in different parts of the city and not five minutes later they're all dead. No lengthy exposition, no set up, no explaination, just plot point and resolution in such quick sucession that I got the feeling that these scenes weren't important at all. I could have seen Harada shopping and while it wouldn't have been as exciting, I get the sense that shopping would have the same effect as assassination on Harada's character.
Not that Harada's entirely heartless. It's just all part of the style of "Branded to Kill."
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