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An alien orphan is sent from his dying planet to Earth, where he grows up to become his adoptive home's first and greatest superhero.
This movie begins on Krypton, where Superman's father sends him off to Earth as a young child. He grows up to be a perfectly normal newspaper reporter named Clark Kent. At least, he appears perfectly normal, until he transforms into Superman - flying around with his underpants over his tights, saving the day. When the evil Lex Luthor plans to take over the world, Superman is the only one who can stop him.
"Superman" already is a classic superhero movie that was ahead of its time and set the standards for many more other superhero movies later to come.
From the very first minute you know this movie will be spectacular. The fantastic opening titles (also mainly thanks to John Williams music) really wakes you up and gets to you every time, in a way it already lets you know that this movie is going to be special and spectacular.
The movie has a high pace even though it has a lot of story telling for a superhero movie. It takes its time to tell the main characters background and how he grew up, only later it starts to focus on the superhero element of the movie. But due to its good pace you wont start to lose interested for a moment.
The movie has lots of different elements. The first part of the movie is drama, the second comedy, almost slapstick like and the third action. All this elements flow really well in to each other thanks to the good directing and story telling but also to the cinematography, editing and music. Everything works perfect in the movie especially the comical elements. It give the movie an high fun level and makes it easy to watch.
The cast is very good. Everyone is casted very well, especially Christopher Reeve is believable as Clark Kent as well as Superman and Gene Hackman plays an highly enjoyable and fun villain.
The special effects are good and even now days in the time of computer effects they look acceptable. "Superman" really was a movie that made the world believe a man could fly.
It's too bad that the second halve of the movie is not as good as the first with a lacking final but it doesn't really ruin the movie in any way. The movie stays fun and enjoyable to watch right till the end.
A fun and spectacular movie with great characters that shall entertain many people for years to come.
9/10
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This is the granddaddy of all modern superhero movies. It is the first big screen big budget superhero project that had big success and big critical praise. It was a big risk that paid off big time.
The first 20 minutes takes place in Krypton. Everything with Zod is probably better left to the second movie. Marlon Brando is a bit of a stunt casting. If not for him, it would make a lot more sense to trim most of that section and leave almost all of it to flashbacks.
The next 20 minutes takes place in Smallville. While I liked the story, it's somewhat disconnected from the rest of the movie. Jeff East isn't that compelling as young Clark Kent. The material deserves better, and would make a great prequel.
Christopher Reeve deserves all the praises he received for playing the duo role. It would be very easy to ridicule his disguise, but Reeve played the roles very well. They are distinctly two different characters. It also helped that Margot Kidder did such a great job reacting to the duo characters so differently.
I am sure many modern audiences have problems with the effects or the pacing. This is a 70s movie after all. Most movies of that era have a different sensibility. The flight with Lois Lane could be taken as cheesy romanticism. It's an attempt to find where this new genre fits. Even if it's not my taste, it's a necessary experiment. For its time, this was a big home run and sets the stage for all those who come after.
Magnify James Bond's extraordinary physical powers while curbing his sex drive and you have the essence of Superman, a wonderful, chuckling, preposterously exciting fantasy.
The movie Superman (1978) located the fictional U.S. town where the baby Kal-El was found and raised by Jonathan and Martha Kent in the state of Kansas. This tradition has carried through into subsequent Superman comic-book stories, animation, and television series. Earlier comics however placed Smallville in the north-eastern United States, somewhere near the eastern seaboard. Also, some comics-related sources in the 1970s and '80s placed Smallville in the state of Maryland. In the TV series Smallville, Smallville has been established as being located in the state of Kansas and also close enough to Metropolis that on clear days, one can view it in the distance. Metropolis is a fictional port city located somewhere on the eastern seaboard of the U.S. Where exactly varies depending on the source. The four superman movies made in 1978, 1980, 1983, and 1987 staring Christopher Reeve, do not specify its location, but based on the existence of various real-life landmarks such as the Statue of Liberty, it must be a stand-in for New York City. In the DC Universe, it is considered to be in New York State (which also is said to be geographically larger than its real-life counterpart). Some sources had previously placed Metropolis on the shore of Delaware Bay in the state of Delaware, across from Gotham City (from the Batman universe). However, this has been superseded by more recent continuity. In the latest Superman movie, Superman Returns, when Lex Luthor unveils his plan on a series of maps, Metropolis can be seen located on a Northeastern U.S. map exactly where New York City would be. (Also, on a side note, Long Island is not present at all.) In the TV series Smallville, Metropolis must be located either in Kansas, or close by in a neighboring state, as the show has established that (1) Smallville is in Kansas and that (2) Metropolis can be seen from town on clear days in the distance. At this point in Clark Kent's life, he has not yet fully developed, super-power wise. He has varying degrees of some of his powers, while others not at all, including the ability to fly. That is why he runs super fast home, instead of simply flying. The effect was achieved by dangling the actor just above the ground with wires, and having a fast moving rig pull him across the intended path. In some shots, it was clearly blue-screened though. Once he turned back time, he then had the time to stop Lex Luthor's guided missles, and in effect, prevented the earthquakes, etc. The controversy surrounding the time-reversal theme of the movie has been a discussion point since the film came out. Most viewers see it as a cheat, others see it as a ridiculous way for Superman to save Lois. Either way, Richard Donner has commented very little on his choice to include it. We have to assume that, although he turned back time to a point before the dam really breaking through (as is clearly seen being reversed), he did not take it back further than that, to before the explosion (crucially, we do not see that being reversed). Presumably, he is only prepared to defy Jor-El's warnings to a certain extent, otherwise why not reverse the whole thing and save all those killed in the nuclear blast and quake, messing seriously with "Earth history"? So, he simply had a little bit more time, which he used to save Jimmy a bit earlier (it is clear that he still did so and deposited him on the road, because Jimmy says so when he arrives at the car at the end) and also to deal with the damaged dam, perhaps not needing to stop the deluge because this time he has enough time to repair the damage before it bursts completely. He also somehow prevents the crack that reaches Lois' car, though she has still experienced the quake/aftershocks and the exploding gas station (she says as much). And of course, Luthor's huge crime has still taken place and so he must go to jail and for trial. She asks him about this during their interview: "Is it true that you can see through anything?" He then states specifically that he can see through anything but lead (when she steps out from behind the lead plant box she has on her terrace, he says "pink", giving an answer to her question about what color underwear she'd had on). Lois is primed with a lot of questions, though we are not privy as to how she knows to ask this one. Also, the printed article Lex Luthor et al. read the next day, "I spent the night with Superman", contains details about him that we do not see Lois and Superman discussing. So, we must simply assume that various rumors and facts had leaked out prior to the interview, during Superman's first few appearances, somehow (we do see him talking to Jor-El about his having been "showing off" and now being "revealed to the world") and a lot more putting the record straight must have taken place off-camera, while Lois is interviewing (flying with) Superman. In the original Superman comic book universe, it is safe to assume some, if not all, characters have trouble coming to this conclusion. In real life, although it is possible for a person to recognize Clark Kent, or Superman vice versa, there are numerous people who found they could conceal their identity from at least strangers with a single facial detail like Harold Lloyd (who was an inspiration for Clark Kent) with his glasses or Charlie Chaplin and Groucho Marx with their artificial mustaches. This was probably left out for plot reasons, and to allow a longer running series.
If the comic book series bordered too close to real life, with rational and smart characters, Superman would never have survived this long. His identity would have been deduced very early, and his closest friends and relatives would have been systematically killed. In the modern comics, the disguise has been supported by the fact that the public does not know that Superman have a secret identity since he does not wear a mask, suggesting he has nothing to hide. Furthermore, he has had the help of shapeshifters like the Martian Manhunter who have posed as Clark Kent with Superman in public appearances to make it seem obvious they are two separate people.
More than the glasses, the Clark Kent disguise consists of a completely different personality. Christopher Reeve was chosen, in part, because of his ability to play two completely different characters. Kal-el takes Jor-el's advice that his secret identity is absolutely necessary to heart and develops the Clark Kent persona in order to keep humans from over-relying on Superman and to protect those he loves. Clark Kent is a bumbling, "mild-mannered reporter", easily dismissed by Lois and everyone else; Superman is confident and charismatic with a witty sense of humor. Lois even considers the possibility that they are one and the same and then, considering Clark's personality, dismisses the notion as ridiculous. The skill of Reeve in portraying the identities is demonstrated in this film when Clark is tempted to confess in Lois' apartment; the sight of him simply taking off his glasses, straightening his back and speaking with unexpected timbre has a convincing effect of suggesting another person. In the year 2000, the Director's Cut of Superman was released. Most of the new material are smaller sequences with plot extensions, but there are two bigger sequences added as well. The first one shows Superman in the Fortress of Solitude, talking to his father Jor-El about the advantage of his supernatural powers. The second one shows Luthor trying to stop Superman by the use of heavy arms, fire and ice. The 4-Disc Special Edition is a Must Have for each fan of this film because it's the only DVD release including the Director's Cut and the theatrical cut as well. 646f9e108c
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