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In The Line Of Duty The FBI Murders 720p

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In The Line Of Duty: The F.B.I. Murders 720p


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Florida 1985: A series of brutal robberies and murders keeps the F.B.I busy. Although all crimes seem to be comitted by the same group, they can't hunt them down. The experienced officer Ben Grogan and his youngest colleague Gordon finally have to rely on their luck when they set up a trap. The chase results in a massacre... Miami in the 80s. This better-than-average television movie first introduces us to the half dozen members of the FBI team that will figure prominently in the shoot out. They are all happy and adjusted. Their modern houses are as neat and clean as an operating theater. One of them, Bruce Greenwood, sings a happy song while getting dressed at six in the morning after a run on the beach. His comely wife smooches him but there's no time because he must be off to work, snapping a round into the chamber and holstering his Glock. They're all that way -- kidding one another about their weight, playing grabass. They go to church bake sales. I haven't been that happy at six in the morning since I discovered puberty. Maybe it's time to join the FBI.

Gradually we meet the bad guys, who may give the most credible performances in the film. They have sloppy back yards, lie to their wives, and play dirty pool when they conduct business. Michael Gross is the more relaxed of the two -- his expression a cross between a smile and a leer. David Soul is less stable. Gee, the guy has a terrible temper, kicking around some defective goods he's just bought, throwing bottles against the wall. The most memorable feature of this duo is that they are absolutely fearless and ruthless. Apparently they ride around armed and wearing camos LOOKING for armored cars or anything else to rob. When balked, Soul deliberately kills an innocent bystander. "Well, we didn't get anything," remarks Gross. "I did," says Soul.

They're hypocrites too. Gross gives a phony spiel in church about having buried his daughter so he can hustle young ladies. He tells his pregnant girl friend, "You disgust me," then kicks her out. The victim, Becky Ann Baker, has a small role but she delivers. The surprising element of the script is that it shows us David Soul in an apparently happy marriage, teaching his son some basketball moves with obvious proprietary affection. It must have been tempting to edit the brief scene out -- draw a clear dividing line between good and evil -- but it would have cheapened the movie.

The miscreant duo become more bold and reckless until a confrontation in a residential area. The battle is persuasively presented and it winds up rather like a slaughterhouse with two agents and both armed robbers dead.

Of the two adversaries, the robbers are the more interesting. Law enforcement was doing it's job but for Gross and Soul it had turned into a witting way of life. Neither had ever been charged with a crime before and there was no evidence that they'd ever been violent. Yet here they are, carrying deadly automatic weapons and thousands of rounds of ammunition, two men courageously shooting it out with a dozen FBI agents on a quiet palm-lined street. Both men struggled on despite multiple bullet holes. Mortally wounded, Soul drags himself from car to car, shooting the agents who have already been downed.

What he and Gross did would have earned them decorations had they done it on a battlefield in service of their country. Instead they chose to display their bravery and their willingness to fight to the last breath somewhere in Dade County, Florida. We treasure values like that but only when they are subject to the control of the state. No individual entrepreneurs.

It's exceptional for a TV movie, in the script, in the direction, and in the performances. Probably David Soul's best work ever... Michael Grosse is topnotch also... This film was developed shortly after the true-life tale of these two robbers ended in a mass of gunfire and death. The best thing about this film is that it remains faithful to that true-life tale. Everything, down to the meticulously choreographed final shootout, is done accurately (I have also seen the FBI training film based on this event and the final sequence here follows that training film to a "Tee").

The truth of the matter is, when you have true-to-life villains as ruthless as Soul and Grosse's characters, there is no need to embellish. This film is understated and cool. The FBI-side of the story is told through Ronnie Cox and Ben Sheehan analytically, without theatrics and flash. You still get the sense that the FBI wanted these killers off the streets ASAP and there is great tension as the violence continues while the FBI gets closer and closer.

If you get a chance, don't miss seeing this fine film! Extremely so, this incident was submitted to rigorous research and formed the basis for reforms in law enforcement training methods which continue to this day. The FBI co-operated in the making of this series and it is generally agreed to be an accurate representation of what happened. The only scenes which were invented were those between Platt and Matix which would be impossible to know. Manuzzi loses his handgun when he crashes his car after running the suspects off the road. He is then shot and wounded by Matix and forced to flee his car without being able to recover his weapon (the same thing happens to Agent Hanlon but he is carrying a back-up gun). Orantio does actually fire 12 rounds despite being wounded by Platt but we only actually see him fire one in the film. A combination of bad luck and police procedures simply being unprepared for such well armed and trained criminals (Mattox was a former Marine and Platt an ex-Army Ranger). Both Hanlon and Manuzzi lost their handguns in the crash with Hanlon having to rely on his back-up pistol but the now unarmed and wounded Manuzzi effectively out of the fight. In the same manner Agent Grogan who had a reputation as being an excellent shot lost his glasses, practically blinding him. Whilst all the FBI agents had shotguns in their cars only Agent Morales was able to access his, the rest forced to rely on their handguns which were far outclassed in terms of firepower by the suspect's assault rifle and pump action shotgun. Agent Hanlon was hit reloading his revolver, McNeill unable to reload his due to a hand wound and Jerry Dove ran out of ammunition for his pistol and was not carrying a back-up gun. Both suspects proved remarkably resilient, Mattox surviving 6 hits and Platt struck by no fewer than 12 rounds. Greater use of body armour, only Agent McNeill was wearing a bullet proof vest during the shootout. Greater use of SWAT teams and increased firepower with handguns relegated to a secondary weapon. Law enforcement agencies started to move away from revolvers towards high capacity self-loading pistols firing more powerful rounds. 646f9e108c

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