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During the Vietnam war, an army sergeant rebels against his tyrant commanding officer, whilst they are cut off by the enemy in the jungle. Things get worse for all of them after that.
Set during the final days of the Vietnam war, Tornado is the tale of one Sgt. Sal Maggio (Prete), a man embittered by war. Compounding the situation is the hard-ass (to the point of being sinister) Captain Harlow (Marsina). The two men are always at odds, and their conflicts continue to escalate, with a court-martial looming for Maggio. When Harlow's decisions leave people dead in their wake, Maggio doesn't take kindly to that. But then he's captured by enemy forces and tortured. Harlow decides Maggio is a deserter and orders his men to shoot on sight if they see him. Meanwhile, Maggio escapes from his imprisonment and takes revenge on all of those who wronged him.
If it's anyone who truly understands the Vietnam experience, it's the Italians. we're being facetious, but director Antonio Margheriti is amazing and his killer body of work speaks for itself. While his The Last Hunter (1980) is superior to this, Tornado is a decent, watchable Exploding-Hut jungle movie. There are slo-mo runs from explosions (and quality explosions at that), tons of southeast Asians with those bamboo cylindrical hats bite the dust, stock footage from the aforementioned The Last Hunter, and naturally there's plenty of shooting, helicopters, and the prerequisite torture sequence. None of it is really new, but it's not bad.
There's the time-honored disco scene, which we always love seeing, and because this is an Italian production, they're going to add a bit of their trademark gore to some of the violent scenes. Here, it's not over the top however. This movie would seem to be highly influenced by Rambo: First Blood Part II (1985), if it didn't predate it! But its First Blood (1982) inspirations are made explicitly clear on the movie's alternate title: The Last Blood. As if that wasn't enough, check out the burst on the lower right of the box art: "All the action of Rambo - set in the steamy jungles of Vietnam." Such is the gigantic influence Stallone left on the action genre.
The year following Tornado, Tony Marsina would appear as the title character in Rolf (1984), extending his action cred. Giancarlo Prete (here as Timothy Brent) as Maggio is enjoyable to watch as the unshaven soldier with the big insubordinate streak. It's pretty surprising his character wasn't named "Stryker". Luciano Pigozzi (here as Alan Collins) is an actor who's been in pretty much every Italian movie...we think it's been said before, but he's like the Italian Vic Diaz. Here he gets a reasonably good role as the Hemingway-like war reporter named Freeman.
Released on VHS in the U.S. on the great Lightning label, Tornado features some memorable music, notably the end-credits tune "Holdin' On" by Chris J. King. It's a GOOD movie - not bad, not great - and it lacks many distinguishing characteristics. Thanks to its director and cast, it's capably handled and rarely boring, but needed something to set it apart.
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You gotta love a movie that's set during the last days of the Vietnam war yet the clubs and radios play 80's music. I know, nobody watches these films for realism, they watch them for...what DO they watch them for again?
Well, this was made after two other Margheriti war films, The Last Hunter(1980) and Tiger Joe(1982). Tornado is the weakest of the three, but not by as much as I expected it would be. Timothy Brent/Giancarlo Prete is a pretty decent lead.
You want to know about the story? Some lunatic army commander regularly makes decisions that lead to the injury/death/abandonment of his men yet nobody really gets on his case about it until a hotshot superstar green beret has had enough and punches him in the nose. Then the hotshot is arrested by the MP, but the vietcong attack and the vehicle he's in is damaged and he manages to escape. From there on, it's a battle of wills between the hotshot who hates the commander and the commander who feels that if the hotshot does escape, it would reflect well on the commander, because he trained the hotshot, but the commander wants him dead anyway. Even though the war has been officially declared over.
It's good to see Luciano Pigozzi (aka Allan Collins) pop up here (it seems like he's in all of these) but his role is fairly boring.
The ending sort of came out of nowhere. I read an interview with Margheriti and he claimed that the ambiguity of who did what to a certain someone in the final shot (I'm trying to avoid spoilers here) was intentional. Well it made me laugh, and I don't think that was intentional.
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