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We Still Kill The Old Way Tamil Dubbed Movie Download

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We Still Kill The Old Way Tamil Dubbed Movie Download


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DOWNLOAD: http://urllio.com/r5lrp


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When retired East End villain Charlie Archer is murdered by a feral street gang, his brother Ritchie returns to London from Spain to investigate. A gang of mindless scroats kill an old miscreant' brother. The ex-eastender gangster and his chums take revenge, in the old fashioned way.

I am currently watching this for the second time, largely to see if the scroats were as stupid as I remember the first time I watched it. They are! How anyone, whilst tied up and under 'duress' can issue threats of death to the old fellas, if they don't let them go, is beyond me. Just demonstrates how utterly stupid and arrogant young miscreants are.

I DO love it when the low-lifes get their comeuppance. Ian Ogilvy is splendid in his role and should be doing more since 'The Saint".

I seldom write reviews ( this is my second ) except when praise ( in this case ) or derision is necessary. I like the idea far more than the execution. What we have here is a wasted opportunity for a jolly good old-fashioned hard-boiled torture-porn blood-spurting gut churning British gangster knees-up extravaganza Eastend-style. What we get is a graphically restrained and disappointingly timid stab at an old-school crime/revenge thriller that fritters away its potential in favour of annoying camera technique, clichéd scripting, over-the top performances, cartoon caricature characterisation and little in the way of thrills and spills.

It should have amped the violence, pumped the adrenaline and sparked the target. Rather, it tones down, cops out and misses the mark. If a film is going to name-check the Krays and the Richardson Gang then the makers should recognise that the violent methods employed by these people was medieval and then some. What happens on screen should go some reasonable distance to reflecting that, rather than shy away from the gratuitous and explicit nature. If, as the title claims, we still kill the old way, then let's see it, experience it, the power and the horror of it.

The simple plot opens the doors to many possibilities, but fails to capitalise. Old geezer comes to the aid of young girl being primed for gang-rape by a bunch of hoodies and gets stomped to death. But this isn't any old geezer. Oh no, this is Stephen Berkoff playing Charlie Archer, a once revered and feared sixties Eastend crime tsar. Charlie's brother, Richie (Ian Ogilvy) lives a comfortable life in Spain, but upon hearing of his brother's demise returns home for the funeral and a healthy slice of revenge. Three of his old compatriots join him, bemoaning the good old days when the streets were safe because Richie and Charlie killed every threat, real or imagined, and the people were happy and danced a jig of joy from dawn until dusk like Dick Van Dyke on acid. The four pensioners amble about their business with sawn-off shotguns, claw hammers, drills, machetes, knuckle-dusters, etc, to teach the young scum a lesson by kidnapping, torturing and killing them all. Which ought to make them see the error of their ways if anything will.

Should have and could have been an electrifying journey into the dark heart and mind of criminal psychopathy, but opts for a pedestrian trundle into blandness instead. On the way they run into Alison Doody as a wholly improbable police detective investigating Charlie's murder – and a clunky plot device whereby it turns out it was Doody's wayward daughter who Charlie saved from being raped.

On the plus side, good to see Ogilvy back on screen and actually headlining (nice to see him reunited with his WITCHFINDER GENERAL compatriot Nicky Henson), and Berkoff (fleeting though he may be here) is always worth watching. There is a nice line in black humour on occasion and there are brief flashes of inspiration, such as the juxtaposition of criminal styles between the old school and the young upstarts. The oldies are brutally elegant, ruthless, determined, clinical, unflinching, matter-of-fact, whereas the kids are messy, disorganised, borderline-retarded, histrionic and irredeemably vile. Also, they all communicate through a virtually incomprehensible hip-hop street patois which I'm pretty sure no one uses meaningfully outside of a comedy sketch. Subtitles for translation would have helped.

I liked the cheeky reference to THE Italian JOB (1969) at the end – a pleasing touch.

Throughout viewing, I couldn't help imagining how it could have been done so much better, and that's no desirable pursuit for a film to stimulate in an audience during its running time. For fans of British Crime Cinema it's not essential viewing, but it passes the time relatively harmlessly whilst entertaining on a resolutely moderate level. I'm not sure if that is a recommendation. 646f9e108c

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