No Way Out Full Movie Download 1080p Hd
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DOWNLOAD: http://urllio.com/r5lw4
DOWNLOAD: http://urllio.com/r5lw4
Tom Farrell is a navy officer who gets posted at the Pentagon and is to report to the secretary of defense David Brice. He starts an affair with Susan Atwell not knowing that she is Brice's mistress. When Susan is found dead, Tom is assigned to the case of finding the killer who is believed to be a KGB mole! Tom could soon become a suspect when a Polaroid negative of him was found at Susan's place. He now has only a few hours to find the killer before the computer regenerates the photo.
Commander Tom Farrell of the US Navy is hired to work for Secretary of Defense David Brice after being introduced by Scott Pritchard, Brice's General Counsel and Farrell's former college mate. At that meeting at a ball, Tom also meets the seductive Susan Atwell, the two who embark on a relationship which blossoms into love on both sides. It isn't until they fall in love that Susan discloses to Tom that she is Brice's kept mistress. When Brice discovers that Susan is seeing another unknown man (Tom), Brice accidentally kills her in a fit of jealous rage. In an effort to protect Brice against being charged for murder, Pritchard devises a plan that they will pin Susan's murder on a suspected but unsubstantiated Soviet spy, code named Yuri, who would have used her to gain intelligence into US military secrets. Yuri is to be whoever was Susan's lover, who they are unaware of is Tom. When they hand the case to Tom to investigate, they do not tell him that Brice was actually the one who killed her. During the investigation, Tom has to protect himself against anyone who may find out that he was Susan's lover and thus the suspected Yuri while finding out who really did kill Susan, which may be difficult if only because of Pritchard's goal to protect Brice at any and all cost, no matter who gets in the way.
Question : Did the mistresses of ministers in Washington ever get taken to a inaugural balls after the sixties were over ? ? Because that seems like the most unprofessional thing to do ever. Mix in a flimsy espionage plot , stupid scenario's wherein people are keeping things that could destroy them in plain sight and what do you get ? No way out!
No way out : A terribly over budgeted , poorly written snooze fest that as a bonus shows early versions of things we would later see done much better in the Jack Ryan films only without any of the existing international aspects of it , or any good character building moments , or James Earl Jones, or Alec Baldwin/ Harrison Ford , or anything remotely exciting really.
No this is actually none of that when you watch it now that the once exciting technological aspects of it are both outdated and cliché.
I have heard that this picture is a remake of a film made in 1948, If that is the case it would a lot more sense in my opinion. Although some then impressive tech is featured , It is basically a string of human errors on the part of the conspirators that exposes them. And the mistress being at the inaugural ball would have been less of a issue when there was less of a focus on affairs like these form the press , and less ways it could be recorded. But in 1987 the usage of limousines to pick up your mistress seems tenfolds more decadent than it would have done in 1948 . I suggest you watch that version , because this film's depiction of Washington intrigues was outdated even then.
It also perfectly explains why Sean Young's character doesn't seem to have much of a professional career ahead and moves around the Washington social circuit without being involved in politics or government. This would make sense in the forties , it does not in the late eighties ( or at least it's painful to watch now ).
Costner's Naval officer is a characterless Mary Stu in every single way h doesn't have much to play with , but when he does get to be angry or something his acting style often doesn't match the style of other actors in the scene.
Gene Hackman in the same year he reprises his role as Lex Luthor in the now infamous superman IV once again plays a supposed genius ( they out right have people call him that actually ) but comes across more as a emotionally unstable autistic man at times, and frankly the character just turns into a big child towards the end. It's just pathetic to watch ; his character makes such weird mistakes and takes such ridiculous risks you can't take him seriously anymore.
The chemistry between Costner and Young reminds me of twilight a lot. The script was apparently filled with looks that are supposed to convey 'a silent understanding' or something like that , but it never works!
Hackman is seemingly over compensating for basically every poor delivery and stale look of all scenes he isn't in and he just turns into a caricature of a good actor near the end. Also the blatantly homosexual women fearing adviser having a clear crush on Hackman's character is incredibly sickening to watch as the character progresses.
You know how in Django Unchained you are intrigued by the complicated relationship between Mr.Candy and Stephen ? well its nothing like that. It's just really sad.
As a whole i would call this film overrated and Arcadian.
Come to think of it, that could be said of most of Costner's films. It would constitute a major and immediate improvement. He is like an early star of Westerns, a Tom Mix or William S. Hart kind of guy, a stock hero surrounded by visual clues as to what's happening and why. His thin and reedy monotone is entirely unnecessary, especially when coupled with his inability to read lines properly.
*Spoiler Alert*
Not quite as bad as his over-screen narration in "Dances With Wolves," Costner's delivery is rendered nowhere as ludicrous, however, as in the final scene of this 1987 pale imitation of "The Big Clock." I think I laughed out loud when he revealed his "true" identity as a Russian. It was so totally over the top and absurd I could summon no effort at generous or willing suspension of disbelief.
As others have pointed out, the chase scenes are equally implausible. I was particularly annoyed by the inclusion of a non-existent Metro stop in Georgetown, where I happened to be living at the time I first saw this film in 1988. Poetic license does not mean carte blanche when it comes to contemporary portrayal of real places or events.
I would leave the musical score intact, I guess. Then it would rise to a 6 out of 10. But drop the stupid ending, please.
The action is tight and suspenseful, and the plot culminates in the most astounding last-minute switch of the decade. Kevin Costner and Gene Hackman shine as the main characters, and Will Patton leads a solid supporting cast.
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