Battle Of The Warriors In Hindi Free Download
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DOWNLOAD: http://urllio.com/r5qwt
DOWNLOAD: http://urllio.com/r5qwt
In 370 B.C, China was separated as seven nations and several other small tribes, one of these being the city state of Liang. The nation of Zhao is led by the terrifying prime commander Xiang Yangzhong who orders his troops to launch an attack on Liang in a bid to conquer the small city. Leaping to the defense of the cowed people of Liang is a warrior who goes by the name of 'Ge Li' from the Mo-Tsu school of thought, renowned for its defensive skills, respect for simplicity and peace, and belief in universal love. He is their last hope as the terrors of Yangzhong's troops are unleashed. The future of Liang now hangs in the balance, with all their hopes pinned on the mysterious Mo-Tsu warrior Ge Li...
Story centers on a battle during China's Warring States Period, a series of civil wars, which spanned from the 5th to the 3rd century B.C. Based on a popular Japanese manga, which was in turn based a Japanese novel inspired by Warring States history in China.
Around 500 BC, the four greatest civilisations in the world - Greece, Persia, India and China - had a flowering of philosophy, perhaps due to the spread of urbanisation.
In Europe, Greek philosophers like Socrates, Plato and Aristotle lived, and schools like Stoicism, Cynicism, Platonism and Scepticism flourished.
In the Middle East, mainly within Persia, but also conquered territories like Egypt and Judea, monotheism like Zoroastrianism and Judaism flourished.
In India, some of the most sophisticated and rational systems of spirituality and psychology developed in Buddhism, Jainism, Ajivika and Vedic philosophy.
In China, the 100 Schools of philosophy flourished, which included Confucianism, Taoism, Legalism - and Mohism - the latter being the subject of the film.
While many cultural supremacists like to exaggerate the differences between countries, all of these philosophies fundamentally dealt with the same human condition, and shared a lot in common - for example, Stoicism and Buddhism were both intended as rational systems for coping with life and enhancing the mind - much of their wisdom revolves around acceptance that humans have limited power over the external world, so it is more rational to change oneself.
Mohism, one of China's great contributions to human understanding, was suppressed by the first emperor of China when he burnt all the books of non-sanctioned ideologies (the Qin state followed Legalism) - and was further forgotten during the subsequent Han dynasty which promoted Confucianism - the ideology which remained the most influential in China, Korea and Vietnam.
Surviving works were absorbed into the Taoist canon, and attempts to study Mohism are difficult thanks to it no longer being a 'living' tradition with an experienced lineage going back to it's founder. But what we do know, is that Mohism was similar to Buddhism and Christianity - a universalistic philosophy that believed in compassion toward all other humans. Mozi, it's founder, is said to have negotiated peace between kingdoms on the verge of war, and enhanced the fortifications of the kingdoms facing attack to dissuade violence.
In this film, the protagonist is a Mohist tasked with defending a settlement during the Warring States period around 450 BC. Elements of Mohist philosophy are demonstrated in his actions, making it interesting film for anyone with inclinations toward learning. It is also a pretty good action film or drama, as other reviewers will point out.
One the surface, one could associate BoW with "The Alamo", as an account on the siege of a city. The similarity, however, ends there. While "The Alamo" is about simple, sweet heroism, BoW is more complex.
Finally, someone has the guts to invest in a "Chinese historic epic" that is not intended to please the general Hollywood-type audience. And this time, the movie is made by a Hong Kong director (Cheung Chi-leung) one who has never been afraid to take things slowly even if it means that probably a majority of the audience will get "bored". "Ji sor" (1997) is a perfect example.
Shot in a grainy, brownish hue, BoW depicts how a wandering strategist (think "Yojimbo") Ge Li (Andy Lau) helps the besieged city defend against overwhelming odds (the complex historical background can probably be ignored without losing much from appreciation of the movie). While a strategist, Ge is first and foremost a philosopher, spreading the gospel of "universal love" and "no violence". The battle scene, though impressive at times, is not the soul of the movie, as the complex character of Ge plays a more important part in attracting the attention of an appreciative audience. Just as intriguing are his nemesis General Xiang (veteran Korean actor Ahn Sung-kee) and wicked-to-the-bone governor of the city (veteran Chinese actor Wang Zhiwen "Half life fate" and "The emperor and the assissin").
BoW is not your regular war epic (although it is not lacking in good action sequences) in many of which you'll find one-dimensional characters aplenty. It strives to give its characters depth (just compare the Andy Lau in this movie and the same actor in "House of the flying dagger"). It also tries to give the audience something to reflect on after leaving the cinema. Although it is not without flaws (could be better paced and tends to get preachy at times), this movie is generally successful in what it sets out to do.
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