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Free Download Steamboat Bill Jr

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Free Download Steamboat Bill, Jr.


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Following through on a promise to his mother, William Canning Jr. goes to River Junction to meet his father who has not seen him since he was a child. The younger Canning isn't quite what the elder was expecting but the old man has bigger problems. He's being put out of business by J.J. King, who not only owns the local hotel and bank, but has recently introduced a new paddle wheel steamer that puts Cannings older boat, the Stonewall Jackson, to shame. Bill Jr. and Kitty King take a liking to each other much to the dismay of both of their fathers. When a fierce storm hits River Junction, Bill Jr. is forced to save Kitty, her father and his father. The effete son of a cantankerous riverboat captain comes to join his father's crew. Steamboat Bill, Jr. (1928)

Romeo and Juliet, Buster Keaton Style

A series of mishaps and confusions make for a stream--or a river--of comic laughs. For my taste, Chaplin's sentimentalism trumps Buster Keaton's supposed modernity (such is film criticism), but this is fast, funny, and even awesome at its best. Sadly, my version (streaming on Netflix) had terrible soundtrack music.

The General is a better movie, overall, if you want an introduction to Keaton, and I assume it's no coincidence that he helped write and direct that, as Chaplin did his own films. There are enough great moments here--physical slips and gags, slapstick tricks, and fast turns of event to make it funny, don't get me wrong. But the slim plot takes too long, and it lacks the gravitas or true romance (even though the romance is on the surface by fifteen minutes or so in) that comedy often really depends on.

The great hat scene near the beginning has him try on his own famous hat and reject it, probably appropriate since this is his last film where he controls the movie (before his now notorious move to MGM). And when he pulls out the giant loaf of bread in the jail it's hilarious. But beyond funny plot elements, Keaton is most important, or most fun, for his stunts, so don't let the story and the thin supporting actors drag you down before he really gets going. And I don't mean to give short shrift to the leading woman, Marion Byron, who is perky and adorable, and the perfect siren for the perky and adorable Keaton.

The ending (the last twenty minutes) is pretty astonishing stuff. The effects with the wind and collapsing buildings, and the sheer marvels of acrobatic stunts by Keaton, are a thrill. This is what made him enduring, and don't miss it. Reading the back of the video or DVD case can be misleading as it made this movie to be one in which Buster learns from his dad the ropes of running of steamboat. Well, in the end it looks like he did just that, but his "training" was about less than a minute in this 71-minute film.

The rest of the movie is about other things, such as Buster - reunited with a Dad who never knew him - meeting his father, getting a new outfit (especially a different hat), beginning a romance with the daughter of the competing steamboat operator, later trying to get his father out of jail, on and on.

The part that makes this one of the more memorable silent films of all time is the hurricane segment near the end. There are some amazing scenes in that, including a very famous one in which an entire side of house falls on Buster, who escapes without injury because an open door on the house is exactly where Keaton is standing. He had not been exactly on the right mark, the famous comedian could have been seriously injured in that stunt. The man had guts, that's for sure.

Anyway, our hero does show in the end that he learned a few things about navigating the boat as he rescues all the major characters following the hurricane. Great stuff and a suspenseful finish. About 58 minutes into the movie. 646f9e108c

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