Behind Enemy Lines Full Movie Download
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Lt. Chris Burnett has lost faith in his job in the Navy and wants to get out, and is even forced to do a reconnaissance mission with his friend Lt. Jeremy Stackhouse over Bosnia. During the mission, they fly their jet off course to check out a suspicious target that turns out to be the site of a mass grave that contains bodies of Bosnian Muslims. The main perpetrator of the massacre, Gen. Miroslav Lokar, has the plane shot down in order to avoid having the plane obtaining evidence of the massacre. Stackhouse ends up getting killed, while Burnett finds himself alone on the run from Lokar's ruthless soldiers. Burnett's commanding officer, Rear Admiral Leslie Reigart, has trouble gaining approval from his own commanding officers to carry out a search-and-rescue mission to save Burnett. From encountering a major battle in a war-torn town, to mine fields, to Serb soldiers seeking the pilot, and to a highly skilled sniper, will Burnett be able to escape Bosnia, or will he suffer the same fate of his comrade?
A Navy navigator is shot down over enemy territory and is ruthlessly pursued by a secret police enforcer and the opposing troops. Meanwhile his commanding officer goes against orders in an attempt to rescue him.
I first saw this movie with a few buddies who had rented it on a Saturday night, and thought I'd join in. Now, if this had been a spoof of American War movies, it would've been great. Only problem is that it isn't a spoof; it's dead serious.
The huge number of goofs and mistakes aside, this movie offers little in the ways of storyline and character development. You really couldn't care less if Wilson's character lives or dies, and Hackman doesn't really get anything done until the end of the movie (which is ridiculous to say the least!).
Now, the thing that really breaks this movie, is the aforementioned goofs and mistakes. As I mentioned, if this movie had been a parody on American war/action movies I would've loved it, because all of the goofs actually make you think that it IS a parody! But considering the fact that it's a glorified, super-patriotic, default American war hero running around facing all kinds of problems, it all seems like a moral boost for the newly attacked America (my sympathies for all who were affected by 9/11 by the way...): The hero is a handsome, blond, all-American guy (they could've added that he was a star quarterback and we'd have the complete package) who faces irredeemably evil Serbs/Bosnians/Whatevers (we never really get to know...) and has to face the hazards of traversing unknown territories. It all seems the typical Hollywood action/war...
HOWEVER... *SPOILERS!!!!!*
The fact that the entire navy administration doesn't send in a rescue team until the very end is a bit silly. Also, scenes like the minefield where Wilson's character is chased by two soldiers and runs straight through the trip-mines (where he is unhurt by the explosions, one of the soldiers step on a mine that kills both him AND his buddy standing 10 feet away!), And the ending in which he's shot at by a HUGE amount of soldiers (including tanks...) and manages to get out unhurt (note also that three half-as*ed choppers take out a lot of that army without getting shot down...). And let's not forget when he runs up a hill while being shot at, and the bullets keep on following him while he's running down the other side!
*SPOILERS!!!!!*
So, all in all, as a war movie it's horrible Hollywood junk that falls flat on bad acting, terrible script and major goofs! As a parody on action/war movies though, this could go far! If they'd only put those weaknesses to good use...
Many will try to save the movie by claiming that "It's not supposed to be realistic!". I, however, feel that war is bad enough to be taken seriously, and not turned into a stupid glorification like this, where one man can beat an entire army (and considering how incompetent the Serbs/Bosnians/Whatevers are portrayed as in this movie, I'm surprised that no one took offense!). Just like "Titanic", it undermines the very issue at hand, and deserves to be forgotten for that.
1/10
This film gets very high marks for technical excellence for a war story with good action footage, but the story is so contrived and unbelievable that the film plays more like a fantasy adventure than a realistic war film. We are asked to swallow so many events that just wouldn't happen that the film loses a good deal of credibility.
Who could possibly believe that the U.S. would sit still while N.A.T.O. dictated that we must not attempt the rescue of a downed pilot becaue it might upset the peace process in Bosnia? That is utter nonsense. And are we to believe that an entire platoon of soldiers with automatic weapons all firing simultaneously could not hit the constantly dodging Burnett? Not likely. There are numerous other plot contrivances that require extraordinary suspension of disbelief, but most of them are critical plot elements so I will refrain from possible spoilers.
John Moore is a rookie director that does a terrific job with the technical elements of the film. He presents a very realistic look and feel in the carrier scenes and the air combat scene is first rate. Actually, all the action sequences are outstanding, no doubt in large part due to the work of twenty year stunt veteran Steve Davison (`End of Days', `Batman and Robin'), who was the second unit director and stunt coordinator. This film also blends stunt photography seamlessly with visual effects to produce extremely realistic action scenes. However, when it comes to managing the screenplay, Moore seems to just assume that the writers are the best judge of how the plot is presented, or he doesn't connect with the concepts plot and character believability.
This is Owen Wilson's first film in the lead and while he does a good job, he just isn't serious action-hero material. Wilson projects a naturally sarcastic, smart aleck personality that works in some of the scenes in this film, but when it gets to the macho action sequences, he just can't carry it. He was terrific in Shanghai Noon, where the action was all tongue-in-cheek. In that film, his wisecracking humor was a perfect fit. However, this film gives him little opportunity to display his fabulous comedic talents and he is adrift trying to play the survivor.
Gene Hackman plays a supporting role and as always gives us a solid performance as Admiral Reigart. I can't keep track of how many military movies (mostly naval) David Keith has been in since `An Officer and A Gentleman'. He must be on only one call list. He always gives a credible performance in these roles and this one is no different. Joaquim de Almeida is dreadful as Admiral Piquet of N.A.T.O. command.
If you like action films and you are not too fussy about implausible stories, this film delivers. I rated it a 7/10 based on the marvelous stunt work and visual effects and the realistic military look and feel.
A mediocrity at any time, because of its implausible script and bland characters.
When naval fighter navigator Lieutenant Chris Burnett (Owen Wilson) is shot down during an apparently successful cease-fire over Serb-held Bosnian territory while on a Christmas Day reconnaissance mission and his pilot Lieutenant Jeremy Stackhouse (Gabriel Macht) is summarily executed by Bosnian-Serb General Miroslav Lokar's (Olek Krupa) assassin Sasha (Vladimir Mashkov), Burnett is left to make his way alone to the rally point. Meanwhile, his commanding officer Admiral Leslie Reigart (Gene Hackman) finds himself in conflict with his superior officer, Admiral Juan Miguel Piquet (Joaquim de Almeida), when Reigart orders a search-and-rescue mission to save Burnett. Piquet fears that any attempt to rescue Burnett from behind enemy lines could throw Bosnia into more civil war, thus hampering NATO's withdrawal from the nation. Consequently, Burnett is ordered to make his way to a new extraction point in the friendly zone, a long and dangerous trek that takes him through mine fields, mass graves, and war torn Bosnian villages all the while being pursued by Lokar, Sasha, and their Bosnian-Serb forces. The film is based on a story by American screenwriting brothers James and John Thomas and a screenplay by David Veloz and Zak Penn. Behind Enemy Lines was followed by three unrelated sequels: Behind Enemy Lines II: Axis of Evil (2006) (2006), Behind Enemy Lines: Colombia (2009) (2009), and Seal Team Eight: Behind Enemy Lines (2014) (2014). The Bosnian War took place between April 1992 and December 1995 following the breakup of Yugoslavia. After Bosnia seceded from Yugoslavia, tensions between Bosnia's Serb, Muslim and Croat communities rapidly descended into war between these groups, with, at the height of the conflict, each side fighting each other. The Bosnian War gained international attention because of the numerous war crimes committed on all sides of the war. Growing concern over mounting atrocities led to international intervention, eventually resulting in a peace treaty that ended hostilities in Bosnia in December 1995. While Bosnia has remained at peace since the end of the war, lingering animosities between the country's ethnic groups have hampered progress at full recovery. During their reconnaissance mission, the duo unknowingly took photos of mass graves of the victims of Lokar and his men. Worried that the mass graves would be discovered and the crimes be traced to him, Lokar orders that the jet be shot down and that both Burnett and Stackhouse be killed in the hope that Lokar's crimes would not be exposed to the outside world. Just as the aircraft carrier is gearing up to leave the area, Burnett manages to reactivate the homing beacon on Stackhouse's ejection seat, alerting Reigart that he is still alive. Knowing that he will lose his command for going against orders, Reigart sends out a task force to rescue Burnett. Hot on Burnett's tail are Sasha and Lokar's second-in-command, Colonel Bazda (Marko Igonda), who have been following him. Along the way, however, Bazda steps on a landmine and is killed. Sasha catches up to Burnett, who is apparently shielding himself behind the ejection seat and prepares to outwait him until he hears the Search-and-Rescue helicopters approaching. He sneaks up on Burnett but realizes that he's been tricked as Burnett leaps out of a snowdrift and shoots him several times. Sasha shoots Burnett in the arm, and they go hand-to-hand until Burnett stabs Sasha in the chest with a flare, killing him. Unfortunately, the homing beacon has also alerted Lokar as to Burnett's position, and his tanks and infantry begin crashing through the trees. Burnett runs toward the helicopters, who begin firing on Lokar's troops. Rather than get to safety, however, Burnett runs back to the ejection seat in order to retrieve the hard drive containing the photos of the mass graves. In the final scene, Burnett and the helicopters land on the aircraft carrier amid cheers, and a written epilogue notes: Chris Burnett stayed in the Navy. The photographic evidence he recovered led to the arrest and conviction of Miroslav Lokar for numerous war crimes including genocide. Admiral Leslie Reigart lost command of his Battle Group. He was reassigned to an "administrative" job in Washington. He chose instead to retire with the respect and gratitude of the men and women under his command. No definitive reason is given during the movie, but the general consensus of viewers is that Sasha was a lone wolf, a freelance assassin exclusively loyal to Lokar. He resented having to lug Bazda, an inexperienced officer and possible liability in combat, along with him on his mission to kill Burnett. For the most part, the film is loosely based on the experiences of U.S. Air Force Captain Scott O'Grady. In June 1995, during the war in Bosnia, O'Grady was patrolling Bosnian airspace in part of a NATO-enforced no-fly zone and was shot down by Bosnian Serb forces near the town of Mrkonjic Grad. O'Grady spent six days in Bosnian Serb-controlled territory before he was rescued by US Marines. O'Grady subsequently filed a suit against the film's producers for defamation and for making a movie about his ordeal without his permission. The case was ultimately settled out of court. Nevertheless, the events of the film differ from O'Grady's experiences, such as that he never engaged in combat with his pursuers, nor did he enter populated areas. Viewers who have seen Behind Enemy Lines have also recommended Savior (1998) (1998) in which an American fights in Bosnia as a mercenary, and Harrison's Flowers (2000) (2000) in which an American woman travels into Yugoslavia during the troubles in an attempt to find her journalist husband. No Man's Land (2001) (2001) is a Bosnian-produced film about the War that won the 2002 Academy Award for Best Foreign Language Film. Lepa sela lepo gore (1996) (Pretty Village, Pretty Flame) (1996) is thought of as THE definitive film about the Bosnian War. Though it takes place in Macedonia, Pred dozhdot (1994) (1994) details the stirring ethnic hatreds akin to those in Bosnia. Grbavica (2006) (2006) details, in a way, the aftereffects. 646f9e108c
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