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Memories Of Murder Download Movies

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Memories Of Murder Download Movies


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South Korea in 1986 under the military dictatorship: Two rural cops and a special detective from the capital investigate a series of brutal rape murder. Their crude measures become more desperate with each new corpse found. Based on a true case. In a small Korean province in 1986, three detectives struggle with the case of multiple young women being found raped and murdered by an unknown culprit. Based on an actual series of murders in South Korea between the years 1986 and 1991, Bong Joon-ho's Memories of Murder is a well performed, thought-provoking film about the investigation into Korea's first serial killings. The film, which combines bleak reality with dark comedy, is less about the actual crimes than about the emotional toll it took on the police officers investigating the case.

The film opens in 1986 when South Korea was still under the control of a repressive military dictatorship. A woman's body is found in Gyunggi province in a drainage pipe in a rural area outside of Seoul, raped and strangled by her own stockings. The crime scene is chaotic. Reporters and spectators mill about and a tractor rides over the area destroying footprints and other potential evidence. Local police officers Park Doo-man (Song Kang-ho) and his aggressive partner, Cho Yong-ku (Kim Roe-ha) are in charge of the investigation but are joined later by a volunteer from Seoul, detective Seo Tae-yoon (Kim Sang-kyung).

The police, however, are preoccupied with protest demonstrations against the government, and do not put the necessary manpower and resources into a proper investigation. A rivalry soon develops between the intuitive Park and the cerebral Seo. Park claims that he can detect a killer by simply looking into a suspect's eyes. Seo is more rational and scientific but both overlook crucial evidence and both do not hesitate to brutalize suspects. Although they force confessions from Baek Kwang-ho (Park No-shik), a retarded man, and a man who masturbates at the crime scene, they know that the confessions will not stand up in court. Showing signs of desperation, they torture an eyewitness to the murders to the point where he tries to escape and is run over by a passing train.

Eventually the detectives locate a suspect who admits that he requested a song heard on the radio each night a murder has been committed, but not a shred of evidence is ever found. After they beat him, he tells the police, "People know you torture innocent people.... You'll never victimize me." Memories of Murder presents a powerfully haunting picture of a society so inured to violence and repression that a serial killer is a minor annoyance. As more strangled women are found, a sense of sadness and frustration begins to settle on the investigation and it becomes obvious that the police force is not prepared either by education or methodology to achieve results until the society it operates in can be purged of its authoritarian past. It doesn't have the theatrics of The Silence of the Lambs, or the eerie quality of Se7en. But what this film has is a concoction of humour, satire, suspense and characterisation that places it a league above those two great films. This film isn't your average serial killer drama, it has no Noirish quality, and the look is one of beauty and nostalgia. What I think it is, is more of a social commentary and a documentation of a real life event and South Korean politics in the 1980's. The film is highly original, the cinematography has deservedly been highly praised, the acting is top notch (and I wouldn't expect any less from Korean veterans like Song Kang-ho), but what really propels this film into movie masterpiece is the quality of the characters involved. Every character evolves with the story; these are very real three dimensional characters that offer no "police thriller" stereotype. Miami Vice these cops are not.

South Korean cinema has been consistently one of the world's best this decade and with visionary filmmakers like Park Chan Wook and Bong Joon-ho. This is one of the best films of the past decade, and it's easy to see why Quentin Tarantino agrees with that sentiment. I couldn't recommend this film highly enough. It's breathtaking. Uses dark humor, incisive characterizations and social commentary to infuse its familiar detective tale with a distinctive flair. d6a2afd33b

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