The Zenka Onna Koroshibushi
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DOWNLOAD: http://urllio.com/r9cij
After her father is exploited and killed by a yakuza gang, a tough woman, fresh out of prison, exacts her revenge over said gang with the help of three girls she met in prison.
Reiko Ike stars as the daughter of a man who has been pushed into drug dealing by the local Yakuza mob. Having outlived his usefulness to the gang he is murdered and Reiko is gang raped, leading her to attempt a knife attack on the Yakuza boss (Ryoji Hayama) at a swank nightclub. Failing to kill him she ends up in prison, where she befriends a crew of other malcontents (including Yumiko Katayama and Chiyoko Kazama) and meets the Yakuza boss's girlfriend (Miki Sugimoto). Upon release Reiko reassembles her mob and launches a Machiavellian scheme to engineer a gang war between Hayama's Oba Industries and the formerly dominant Hamayasu Clan. The rival gangs begin killing each other off and Reiko works her way closer to her ultimate vengeance.
In 1972 and 1973, Japanese Exploitation cinema brought us the four greatest "Women In Prison" themed films in the history of motion pictures with the "Joshuu Sasori" flicks starring the great Meiko Kaji (Especially the first three films, directed by Shunya Ito, rank high on my personal all-time favorite list). It is amazing that the follow-up on the list of the greatest WIP-flicks is also a Japanese film, that belongs in the great Pinky Violence sub-genre and was released in 1973. Well, technically it's not really a traditional WIP flick, but an absolutely awesome female gangster/revenge flick that starts out in a women's prison. "Zenka onna: koroshi-bushi" aka "Criminal Woman: Killing Melody" of 1973 is a fantastic entry to the Pinky Violence sub-genre that no fellow exploitation buff should consider missing. Even though he never directed anything else, director Atsushi Mihori created an awesome gem of Japanese Exploitation cinema with this flick, brought to you by the great Toei Company. Starring the ravishing genre-goddesses Reiko Ike and Miki Sugimoto, "Criminal Woman" once again delivers style, a vast amount of sleaze and violence, and also, more than most other examples for the genre, a fantastic plot.
The ravishing Reiko Ike stars as Maki, a girl who has to go to prison after trying to avenge her father, who was murdered by a local Yakuza clan. She befriends some other bad-girls in prison, the toughest being the heavily tattooed, and equally hot Massayo (played by the ravishing Miki Sugimoto), who is involved with the Yakuza. Throughout her prison term, Maki just has the sole goal to finish her revenge once she gets out...
Reiko Ike and Miki Sugimoto are both ravishing and super-cool, and it is hard to say which one of the two deserves her status as a cult-siren more (in terms of pure beauty my personal choice would be Miki, but they're both very hot and very bad-ass). The two starred together in a bunch of films (such as "Girl Boss Guerilla", "Girl Boss Revenge" and "Terrifying Girls' Highshool: Lynch Law Classroom") and each of the ladies starred in a bunch of highlights alone (Miki Sugimoto's most memorably in "Zero Woman Red Handcuffs", Reiko Ike in "Sex And Fury" and "Female Yakuza Tale"). "Criminal Woman: Killing Melody" is one of the highlights of either woman's career, an immensely stylish, supremely bad-ass and absolutely awesome gem that is a must-see for every lover of Exploitation and/or Japanese cinema. Also great are Yumiko Katayama, Chiyoko Kazama and Masami Sôda, who make a beautiful female supporting cast as their fellow inmates in Women's prison. The film is action-packed and stylish from the very beginning, with a funky score and a genre-typical beautiful theme song. All things considered "Criminal Woman: Killing Melody" is an excellent Pinky-gem that no lover of Japanese Exploitation cinema could possibly afford to miss! Awesome!
This time Miki Sugimoto is the star and Reiko Ike takes the secondary lead female role. Sugimoto stars as Massayo, the daughter of a murdered alcholic/addict by powerful Yakuza boss, Obi(ôji Hayama), sent to prison when she attempts to kill him in a club. Ike is Maki, Obi's squeeze, in prison she meets Massayo and they become respected "adversaries." Massayo befriends other inmates and they partner up after serving their time, vowing to take down Obi's organization by causing a Yakuza war between him and another inferior gang, the Hamayasu clan who operate the docking port of the city. Massayo prostitutes herself to Americans exchanging sexual favors for artillery, concocting a weapons trade with old man boss Hamayasu's volatile son, Tetsu(Takeo Chii). Maki is back around Obi's arm and warns Massayo of clearing out of town, or else. The rest of the film shows how Massayo and her clever female clan rip apart the two Yakuza gangs by pitting them against each other, while also shedding some blood themselves in the process. And, you can better believe Maki and Massayo will have one more confrontational showdown when so much money and dope are at stake.
Fans of pinku revenge crime flicks get their moneys's worth with CRIMINAL WOMAN:KILLING MELODY. As expected nudity and ultra-violence are in abundance with lots of gunfire and Yakuza gangsters blown to smithereens. It's always entertaining seeing a motley group of gorgeous females waging war with the Yakuza, using their brains and looks to gain an advantage. You get a rather mild torture sequence this time around as Massayo is rescued from a rather grim fate by Maki. Chii's bonkers Tetsu(..always with a large bottle of liquor, downing it before shooting at somebody or raising hell against Obi)is hilarious as are the instances where animated Yakuza gangsters are either lifted in the air by dynamite/grenades or shot to pieces by bullet-fire. We get not one but TWO hand-to-hand combats between Sugimoto and Ike(..the first in prison, testing each other's endurance, is a dandy)which it in itself is added incentive for pinku fans to check this flick out. Plenty of bare flesh between Ike and Sugimoto as well. It was nice seeing Sugimoto this time getting to star as the lady of vengeance and when she stares you down with death in her eyes..LOOK OUT! Nothing more dangerous than Sugimoto scorned! Ike may not have the lucrative role here, but she's still looking mighty fine. As expected, the pace is excellent(..the editing and camera work are first-rate)and action set pieces thrilling. And, as you'd expect, nearly everyone is dead by the end of the film.
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