Shootout At Lokhandwala Full Movie Hd 1080p
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Based on the shootout in Lokhhandwala 1992, when commissioner of police, Aftaab Ahmed Khan, shot Dawood Ibrahim's aides including Maya Dolas and Dilip Bua. This caused massive controversy after it was rumored that Dawood asked for the shootings to take revenge on his aides who has fallen out with him.
On a calm summer day in 1991, in the bustling Lokhandwala Complex, five criminals including Maya and Dilip were counting 70 lakhs in flat no. 32 B, when 286 policemen, headed by ACP Khan, took strategic positions around their building. A gunfire ensued and the entire nation witnessed the most talked about daylight encounter lasting 6 hours that transformed suburban Mumbai into a virtual war zone. Shootout At Lokhandwala is the story of a seasoned cop, Khan, who chased Khalistani extremists, handpicked cops like Inspector Kaviraj Patil and Constable Javed Shaikh, and dared to engage trigger-happy gangsters in a residential locality of Mumbai. Khan's fight went beyond the encounter as he faced inquisition from his own department and legal charges of human rights violations. Shootout At Lokhandwala is the story of an upcoming underworld gangster, Maya, and his highly skilled partner, Dilip. The two made extortion the buzzword in the early 90s and dared to disobey the big bhai of the underworld, drawing the attention of Khan and his newly formed ATS squad. Both Khan and Maya were men obsessed, so devoted to their professions that their personal lives were a disaster.
In a nutshell, it was very nearly perfect but as with most Bollywood films somewhere in between, something went horribly wrong. The good thing about Shootout at Lokhandwala is that it is very engaging. It grips the audience from its very solemn beginning until the last bullet is fired at the very end. That plus the fact that there were some very memorable performances in the film. But before I dive into that, let me just give you a quick background regarding the film itself, which is basically that the film is a fictional account of a now very infamous shootout between Mumbai police (specifically the now defunct ATS - Anti Terrorist Squad which can be likened to America's SWAT team) and a pack of goons in 1991. The film is told from the perspective of the three main officers involved with the decision making on that now infamous day (characters played by Sanjay Dutt, Arbaaz Khan & Suneil Shetty) as they related their story to their lawyer (Amitabh Bachchan) who is about to defend them in court.
Now onto the great performances starting with Vivek Oberoi. Now what can be said about this guy that hasn't already been said when he brought the house down with his breakout performance in Company? Here Oberoi takes it up a notch as the goon leader Maya Dolas, an outlaw since age nine when he saved his mother the grips of domestic violence by stabbing his abusive father to death. Oberoi has a penchant for playing bad guys and playing them to the very bone. In two words, Oberoi was "very good" in this film. Suniel Shetty and Amitabh Bachchan were almost too comfortable in their respective roles as officer as advocate but one cannot blame them too much as their roles were perhaps a tad-bit too basic considering the roles these two men have essayed in their impressive Bollywood careers. Amrita Singh shows that she is not to be forgotten with a most unforgettable role as Maya's feisty mother. While all the female roles in this film were severely underwritten, Singh managed to emblazon her character with such dynamic cinematic presence. I really enjoyed her performance as a force to be reckoned with. Blink and you'll miss Rakhi Sawant's cameo as herself, Abhishek Bachchan as a legendarily foolish cop, blink twice and you'll miss Dia Mirza's token pretty reporter role as well. The film is jammed packed with a who is who list of heavy hitters but somehow it still failed at the box office. Perhaps due to the strong language and gory violence, just take your pick.
Very good as well is the film's soundtrack (a special applause goes out to the writers for fitting two item numbers into such an action packed drama) which would have been perfect except for the horribly unforgivable 'Ganpat' which has the pack of goons singing and dancing on tables bragging about their way of life and controlling the likes of Bipasha Basu and Aishwarya Rai. Now if that not only sounds wrong, I think someone should have asked the writers if they somehow forgot that this was based on real life events? Stick to the script and stop getting carried away. Aishwarya Rai wasn't even famous in 1991! She was a 17-year-old unknown model, hello! Anyway, let us be thankful that they didn't picturise the part of the song pertaining to "Aishwarya Rai" on Oberoi's character. Sheesh! Other great performances include Rohit Roy as Fattu, Sanjay Dutt as Shamsher Khan & Arbaaz Khan Javeen Shaikh. If you can take the sight of Bollywood style gore, bad language and a shaky script, then I recommend that you see this film. B-
Shootout at Lokhandwala is based on true rumors. I don't know what that means.
The film itself is a clichéd bollywood-style cops versus criminals action-drama. The story is told in flashback accounts of police officers to what looks like an inquiry commission. The head of the inquiry commission, in the end, turns out to be the lawyer defending those very police officers, which confused me. Well, lets leave the end for the last and begin with the beginning. Sanjay Dutt is ACP in Mumbai police department who believes in rendering justice on-the-spot by 'encountering' criminals and gangsters. He has a team of officers hand-picked by him to constitute the ATS (Anti-Terrorist Squad). In the team are Suniel Shetty and Arbaaz Khan. Against them is a group of gangsters headed by Vivek Oberoi. His gang consists of Tushar Kapoor and TV actors Ronit Roy and Shabbir. Shootout at Lokhandwala refers to the actual encounter of the two at the end of the film. Amitabh Bachchan does a cameo as the inquiry commission head and the lawyer. So does Abhishek Bachchan, like his father. He is a police officer killed by terrorists. I did not understand though how the Abhisek episode related to the rest of the story.
The director Apoorva Lakhia is caught in the same dilemma that most directors these days seem to be fighting. They want their films to be realistic but they are unable to resist the lure of bollywood masala. The result always is a film that is difficult to classify and wayward in its objectives. The narrow streets of Mumbai and shaky camera is used to bring in realism but ubiquitous bar girl item numbers keeps alive the masala.
Vivek Oberoi is hardly an inch of the underworld gangster he was in Ram Gopal Varma's Company. The film wants to show him as a sadist but fails. Most of the time his sadism looks childish and crafted. The film never touches even the surface of organized crime. It wants us to believe that a bunch of drunk dudes, who hang out with bar dancers every given opportunity, easily control the Mumbai underworld. I wish gangsters were really that way. The job of the police would have been much easier.
There are all the possible clichés you can think of in this kind of a film - human side of the criminals, the impact of work on the personal lives of police officers, the press reporters who raise the question of human rights, etc. The Dawood Ibrahim part is completely lifted from Anurag Kashyap's Black Friday - the treatment and a larger than life portrayal. Incidentally, that was one of the negatives in the otherwise brilliant Black Friday. Sadly enough, that is what Lakhia chose to lift. The background score of the film is loud, hard and metallic. Somebody obviously suggested to Lakhia that it would add gravity to the scenes. That somebody was wrong.
To expose the underbelly of crime which would send shivers down the spine of the audience is no mean task. Bullets raining everywhere, street language and predictable situations cannot do the trick. Shootout is neither a mindless Schwazneegar action film nor a realistic Satya. It is just an ensemble of stars. Sanjay Dutt is natural and probably the only saving grace of the film.
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