The Doll Squad Full Movie Hindi Download
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DOWNLOAD: http://urllio.com/ra0uy
Squad of beautiful government agents tries to catch saboteurs.
MASTER PLAN: blow up rockets, get a microfilm and spread a bubonic plague - whew, the villain is busy in this one. Though a fan of seventies cinema, I've missed seeing this film until now and it really does seem like an earlier version of "Charlie's Angels," beating the TV series to the screen by a few years. But, this is much more violent compared to that safe TV style; in fact, there's also more of that seventies brutality here when comparing this to the James Bond films, the other franchise this movie sort of emulates. Neither side in this film, meaning the good gals and the bad guys, messes around. In an early sequence of scenes, the villain (Ansara) sends some assassins for a preemptive strike against the squad; one assassin shoots a squad member twice in the head at point blank range and still checks to make sure she's dead. Meanwhile, the Dolls deal with the villain's guards by having them swallow pills which literally make them explode. The squad's leader avoids her own assassination in a particularly heated fashion. These babes are brutal, in that cheap thrill sort of way, and terming them as a 'Doll Squad' is actually a bit insulting.
Most of the complaints about this film have to do with it being dull and, yes, there are a few slow spots, but, despite the obviously cheap quality of this Bond-wannabe, it's surprisingly entertaining. Just as in the first Flint film "Our Man Flint," a computer selects the ideal agents for the mission, requested by a senator & intelligence supervisor (Eisley); this also reminded me of the "Mission:Impossible" TV series. There had been other female Bond films, such as "Modesty Blaise;" this one presents a whole team. Most of the plot involves their plans to raid the villain's stronghold where, in the tradition of villains with unlimited funds, he employs his own private army. The last third is the actual attack, and there's much gunplay and karate chopping, not to mention explosions matted in optically (real explosions were probably too expensive, but there's a certain charm to these FX). The squad leader (York) has a personal history with the villain, who delays killing her because of this. York is pretty good in the role, not just a talentless bimbo, while Ansara excelled in these melodramatic larger-than-life roles. This also features a unique film appearance by Satana, who became a cult star in "Faster Pussycat..Kill!Kill!" but appeared in very few movies afterward. The climax even resembled the climactic action of "The Dirty Dozen" - femme fatale style, of course. Heroines:6 Villain:6 Male Fatales:5 Henchmen:5 Fights:5 Stunts/Chases:4 Gadgets:3 Auto:3 Locations:3 Pace:4 overall:4+
Did this film inspire "Charlie's Angels" in 1975? TV producer Aaron Spelling must have caught this on the Late Late Show before doing the series. There are too many similarities: an elite band of beautiful, female crime-fighters (including one named Sabrina) engage in lame karate fights, display lots of cleavage, and wear bikinis as often as possible. And, as in the TV series, cheesy graphics are employed to facilitate quick scene transitions. Reportedly, Mikels sued Spelling for stealing his concept. Unfortunately, thanks to a uniformly lazy and inept execution by all involved, the film is far less entertaining than the iconic 70s TV show.
Gorgeous redhead Francine York is Sabrina Kincaid, leader of a group of five hand-picked "Dolls" employed by the government for covert espionage missions. This includes cult actress Tura Satana, who, sadly, is given nothing to do. Didn't Mikels see "Faster Pussycat! Kill! Kill!"? It is a crime to waste the dynamic Satana in such a colorless, underwritten role. But this film manages to make every mistake in the book. In fact, it should be screened in film classes to demonstrate how not to make an action flick.
Not-so-super villain Eamon O'Reilly (Michael Ansara) is a poor man's Blofeld with silly, implausible plans for world domination. Instead of a fancy high-tech lair, his nefarious secret base looks like it was shot at Mikels' Palm Springs vacation home. The film's total lack of attention to detail is amusing at times (note Ansara's sweat-soaked shirts) and the no- budget special effects, particularly the explosions, made me laugh.
Everything about this dull, pedestrian movie is bad -- but not bad enough to be enjoyable as a campy catastrophe. The entire film is a wasted opportunity for what could have been a much better (or at least campier or sexier) effort in the hands of a less conservative producer like Roger Corman. This PG-rated snooze-fest aspires to be a hot exploitation action flick, but has nothing exciting or exploitative (no nudity) to offer. A Ted V. Mikels movie is like watching a vintage porno film after all the nudity and sex scenes have been edited out. All that's left is some dreary, soap-opera style acting, an incoherent story, awkwardly staged fight scenes, and the cheapest special effects this side of an Ed Wood movie. Although Mikels would go on to make many more terrible films, there was a time when he actually showed much promise as in "One Shocking Moment" (1965). See that film instead.
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