Wanted Tamil Pdf Download
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A frustrated office worker learns that he is the son of a professional assassin and that he shares his father's superhuman killing abilities.
The anxious, clumsy and abused office clerk Wesley Allan Gibson has a hell and boring routine life: his obese boss humiliates him all the time and his girlfriend betrays him with his colleague and best friend during working period. When he meets the sexy Fox, Wesley is informed that his father was a professional killer that belonged to an ancient organization called Fraternity and killed by the skilled and powerful Cross, a hit-man that has betrayed the Fraternity. Wesley learns that his anxiety actually is a manifestation of his latent abilities and he joins the society under the command of Sloan. Trained by Fox, he changes his personality and attitude, being prepared to face the dangerous Cross and find a hidden secret.
Haven't the Wachowski brothers got a lot to answer for? It seems that hardly a day goes by without another new action movie appears, created on a computer using footage shot in front of a green screen in a warehouse somewhere instead of using actors on location. And blow me, as if to illustrate my point, here is another one! Chock-full of all the ridiculous action you associate with CG-infused action flicks, this is one film that doesn't look too good if you peel away the pixels and gawk at what's left.
Wesley Gibson (a miscast James McAvoy) is a bored, weedy office worker who feels trapped in his dull and repetitive life. But before he can scoop up another handful of anti-anxiety pills, he bumps into the oddly-named Fox (Angelina Jolie) who throws him headfirst into a bullet-fuelled adventure. It turns out that Wesley is the son of a super-assassin, a member of a secret society called the Fraternity, who recruit Wesley in order to hunt his father's killer - a rogue member called Cross (Thomas Kretschmann). As Wesley's skills improve under the tutelage of Fox, the Fraternity's leader Sloan (Morgan Freeman) monitors the situation closely as Cross's personal crusade against the Fraternity threatens the organisation's very existence.
It sounds like it should have been an absolute winner but "Wanted" is the architect of its own demise. For example, I can go with the concept of the Fraternity and its thousand years' worth of assassination to "maintain stability in an unstable world". But why do the victim's names appear in weaving from the Loom of Destiny or whatever the damn thing was called? How did they appear before weaving was invented and why did it change to secret messages in textiles and why hadn't they updated it to something more 21st century? Never mind, the pretty CG provides enough distraction to stop you from looking into the plot too deeply while Jolie does her bit by pouting endlessly and occasionally flashing the flesh. As for McAvoy, he is not the sort of actor for this role - the first half of the film is spent whining and screaming a lot then when he realises he's actually a bad-ass, the abs come out and he can't go anywhere without a faintly silly grimace and a gun in each hand. The action, where it comes come, is certainly exciting but only possible in the mind of someone thinking in CG - vehicles don't behave the way they do here and I refuse to accept that you can make bullets go around corners by flicking your wrist when pulling the trigger. Nothing in this movie feels believable - granted, do any of these action films have the faintest whiff of reality to them any more - but when something is so fantastic and so "garnly", it stops being exciting and starts being stupid. Remember when you were a kid, racing your toy cars around the living room and crashing them into stuff? If you still do that then welcome to your dream film!
There are things to commend, however - the CG, while dominating almost every scene, is well done and director Timur Bekmambetov has a terrific eye for the amount of bloody violence shown on screen and how best to shoot it. There is a certain amount of enjoyment to be had, especially when the plot twist arrives and the film really seems to kick into gear but I can't help feeling that "Wanted" is a massive disappointment, that it should have been a film to rival "The Matrix" - something "Wanted" desperately to be - but ends up as yet another wannabe. The reasons for the failure are quite simple: the wrong leading man, excessively silly action scenes and a plot with more holes in than Katie Price's range of knickers. What it needed was a bit more restraint, a brain to tell the inner-child that cars don't flip as easily as they do here and a brief shot of Jolie's wet butt shouldn't be the sole recommendation of a movie. Sadly, with "Wanted" that's exactly what you do get but unless your taste in movies hasn't evolved since the time of your early teenage years then you'll probably find other films more worthy of your time.
The first time i saw the trailer for this film i have to admit i was a little scared. i thought oh no not another poor attempt to make guns look cool when in fact there designed to destroy life. well after having seen the film i still think guns aren't cool but the future of CGI in film was just given a overhaul and heading in a totally cool direction. Visually this film was one of the best i have seen in a while. I was trying so hard to see where they had slapped in a computer generated version of James McAvoy but was sorely disappointed due to the realistic visuals and effects.
Wanted borrows heavily from fight club, the voice narrative the dry main character and the twisted reality which they where in. Wanted borders on bizarre and totally crazy at points but thats what drives this film to its full extent. its ability to bend the boundaries of reality and create what it wants to do much like the characters themselves. Jolie is after all one of the most unique woman to face our mainstream cinemas in a long time and is probably one of the first woman in a long time who can deliver as much sexuality into her performances and not be considered a tramp or cheap, in todays double standard world. Also she is way to skinny.
The film felt like a series of bad events. Like a massive stack of domino's that have been stacked up to make a beautiful pattern but with a single breath came smashing down piece after piece. It kept your hands white as you clenched your teeth while the action went from one bad thing to another. Thats what a film should do. Keep you guessing, giving these characters situations which seem impossible to get out off and not ripple the screen with clichés and painful unoriginality. Not only did the action send your eyes and mind into a frenzy but the sound. The sound was continually attacking your ears blowing your mind away.
The plot itself reeks of trying to be different. trying something new, and exploring boundaries which can be crossed. They had plenty to play with and if this film does any better surely a sequel will be on the way any time soon. Much like the action the storyline was bizarre, not so much complex but still gave the audience the chance to not get to lost in the action and noise. This film is purely for the senses a feast for the eyes and ears and a word of advice when seeing this film. leave your brain at the door and enjoy the ride.
Wanted has one good plot twist in store (though it makes little sense), and its sense of humor about its own silliness keeps the fantasy afloat for a while. But as the body count rises, so does the portentous tone, and the relentlessness of Bekmambetov's overamped style becomes oppressive.
Wanted is loosely based on a comic book miniseries of the same name by Scottish graphic novelist Mark Millar, with art by J.G. Jones, published in 2003 and 2004 by Top Cow as part of Millar's creator-owned line known as Millarworld. American screenwriting partners, Michael Brandt and Derek Haas, adapted the comics into the original screenplay, which was revised in part by screenwriters Chris Morgan and Dean Georgaris. Wesley Gibson (James McAvoy) and the Fox (Angelina Jolie) have made the transition to film largely unchanged, the only major differences being their appearance (Wesley being originally modeled on Eminem, and the Fox on Halle Berry). Wesley's boss, girlfriend and best friend are also largely unchanged. However, as the main plotline of the comic books (in which all of the main characters are actually supervillains modeled on DC characters) has been altered, many other characters were re-imagined or cut entirely from the film, examples being: (1) Dr. Solomon Seltzer (a short, bald super-scientist and friend to Wesley's father) becomes Sloan (Morgan Freeman); (2) Mr. Rictus (an evil, ghoul-faced murderer) becomes the assassin Cross (Thomas Kretschmann) and is also referenced in the film as an assassin killed by Cross; and (3) The Killer (famed assassin and Wesley's father, modeled after Tommy Lee Jones) becomes Mr. X (David O'Hara). There are significant changes from the comic book.
- Perhaps the most significant change is the underlying purpose of The Fraternity. In the comic, The Fraternity are a secret group of supervillains with an array of powers and they behave as supervillains would be expected to: committing crimes and killing people. In the movie The Fraternity is a secret guild of assassins who work to maintain order in the world by assassinating evil people. The film portrays them in a far more positive light than the book.
- The book is far more vulgar than the movie and revels in pushing boundaries of taste in terms of violence and sexuality. In the book characters talk much more matter-of-factly about topics such as murder, rape, pedophilia, and bestiality.
- The backstory of the film is entirely different from the book. In the comic a group of supervillains murdered all the superheroes and erased their existence from reality. In the film a group of medieval weavers-turned-assassins founds the Fraternity to maintain order.
- Most of the characters were wholly invented for the film. While Fox and Wesley make the transition largely unchanged Wesley's father is almost completely different from how he was portrayed in the book, Mr X, Sloan, The Russian, and the Gunsmith (Common) are complete inventions. The Repairman (Marc Warren) is an expansion of an unnamed character who appears in a few panels in the book, and The Butcher (Dato Bakhtadze) is created from a scene in the book where Wesley himself is sent to work in a slaughterhouse to help desensitize him.
- The plot is dramatically changed. While the introduction and Wesley's training are very similar the plot of the comic involves intrigue between different factions of super villains while the film deals with the efforts to apprehend one rogue assassin. In addition the film focuses far more on Wesley's quest to avenge his father. While the book version of Wesley is interested in knowing who killed his father it is not a driving aspect of his character.
- Scenes of Wesley's training are greatly expanded in the film.
- The film version of Wesley is considerably nicer and more sympathetic than the comic version.
- The film includes far more moral conflict about the nature of what The Fraternity does than the comic book.
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