Tamil Movie Dubbed In Hindi Free Download Trader Horn
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DOWNLOAD: http://urllio.com/ra7az
DOWNLOAD: http://urllio.com/ra7az
Two white traders in the darkest Africa of the 1870s find a missionary's daughter, who was captured as a child by a savage tribe and now worshiped as a goddess.
While on safari in an unexplored area of Africa, Trader Horn and Peru find missionary Edith Trent killed by natives. They decide to carry on her quest for her lost daughter Nina. They find her as the queen of a particularly savage tribe, and try to bring her back to civilization.
I took a chance on this with a purchase from one of the internet companies manufacturing DVDs from long out of print movie sources. This is a leisurely black and white film of two hours that peaked my interest on several occasions and kept me watching, avidly, for the entire course. The cast is great, with Carey playing a tough hunter-trader who nevertheless displays his tender moments as well. Renaldo, apparently a Romanian at birth, later became the Cisco Kid star of the television serial, plays a likable young man. The lovely Booth, who first appears as little more than a blonde animal, slowly begins to get in touch with her feminine side as the movie progresses. I liked these people along with the stoic and dependable gun-bearer. Filmed over seven months in just the right locations in Africa, the crew was plagued by the hostile elements: Booth became extremely ill as a consequence, and two extras actually died, one to a crocodile and the other to a charging rhinoceros. The movie therefore touched me personally and brought back old memories. In 1978 at the age of 23, the same age that Renaldo plays in the movie, I spent six months in Africa, first crossing the Sahara north to south, then from north Nigeria into Chad and into the Cameroon, Central African Empire, Zaire, and out through Uganda into Kenya. Judging from my experience, I believe that much of the film took place in the Cameroon, Central African Empire and northeastern Zaire (Congo). My troubles were not with marauding tribesmen, but with killer bees, various revolutions, sundry criminals, millions of army ants, bad water, and scorpions, etc. I personally attest that these are real Africans, real African villages, real animals, and this authenticity, including the native drums, brought me back to my youth and life living on the ground in a small tent through similar villages and terrain. Three exciting phases in the film hit me hard: all while in the native villages. When you are vastly outnumbered on somebody else's terrain and they are armed with spears and growing excited from the relentless throb of the drums, you might count your life in seconds. Ah, but it beats dying slowly behind a desk! You will flinch at several of the racist words in this film, but will also recognize the love and respect between Carey and his gun-bearer. Such emotions come easy between men who have each other's backs. Grab this film and sit back and enjoy without distraction!
In the opening credits it states "dedicated to the White hunters" and they all have Esq. after their names. Fair enough. But, no mention of the natives at all. Not one name or Tribe or even an acknowledgment of their existence in the film. Seeing that the tribesmen are on screen 90% of the time, it seems a bit odd. Or maybe not.
It is striking to see the natives in full display. There are cornrows, face piercing, tattoos, and fully exposed female breasts. There is even a "soul" handshake. All for your perusal for the price of a ticket. But no screen credit, as if they were somehow animated props.
Racism and the dehumanization of the native people as a standard practice in Hollywood (and society) in 1931 was the status quo. So we will leave it at that.
The film itself is quite a remarkable achievement. It is the granddaddy of jungle pictures and enjoyable today. There are incredible shots of wildlife and white life in contrast. A Caucasian woman raised by the natives and "rescued" by our heroes, cannibals, pygmies, love and death laid out against a tapestry of a beautiful virgin landscape.
We moderns have lost our wonder and awe for this type of thing, but one could imagine audiences in 1931 completely enjoying this walk on the wild side guilty pleasure and relishing a ride to dark side.
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