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With Miss King out of action nursing a broken ankle Steed goes it alone when Scotland Yard colleague Sir Arthur Doyle brings him in on a murder enquiry, with an abundance of clues, each one pointing to an illustrious suspect. In fact bogus cops Earle and Gardiner are operating a racket whereby they deliberately incriminate worthies as murder suspects and then blackmail them. Their latest target is Steed and his supposed victim is Miss King.
One of 'The Avengers' most endearing qualities was being able to take a cliché and turn it on its head. This episode opens with Earle ( Anthony Bate ) and Gardiner ( Kenneth Cope ), ostensibly New Scotland Yard detectives, searching for clues at the scene of a murder, a chalk outline of the victim on the floor.
The owner shows up and asks who has been murdered. "You!", says Earle, shooting him. The man then falls neatly into the outline provided for him!
Steed is contacted by Sir Arthur Doyle ( 'The Rag Trade''s Peter Jones ), an eccentric sleuth dressed like Sherlock Holmes. Tara does not look as though she is going to be much help on this case, confined to a wheelchair as the result of a skiing accident.
Earle and Gardiner are blackmailing the rich into handing over priceless works of art, anyone failing to comply gets framed for murder. The duo are masters in the art of fooling the police through planting clues at the scenes of crimes.
As 'Avengers' episodes go, this is almost credible. No robot men, time machines or invaders from space, and all the better for it. Philip Levene penned a similar story the previous season - 'You Have Just Been Murdered'.
Though Tara is stuck in a chair for most of the story, she comes into her own at the end in a superb finale as Earle and Gardiner invade her flat. Peter Jones is wonderfully daft ( though underused ) as 'Doyle', and the whole thing is executed with panache by Don Sharp.
"The Curious Case of the Countless Clues" marked the return of Brian Clemens to the producer's chair, featuring another simple storyline just as in its three predecessors, but better directed by Don Sharp. We begin in sterling fashion, as Earle (Anthony Bate, "Tunnel of Fear") and Gardiner (Kenneth Cope, "The Bird Who Knew Too Much") go over each separate clue in detailing the present murder scene, prior to performing the killing themselves! Scotland Yard's Sir Arthur Doyle (Peter Jones, "The Thirteenth Hole"), dressed like Sherlock Holmes, calls upon Steed to investigate because the person implicated is a close friend, Sir William Henry Benedict Burgess (George A. Cooper, "The White Dwarf"), who behaves suspiciously when questioned. A brief moment of jealous concern crosses Tara's face when Steed's attractive old flame (Tracy Reed, Oliver's cousin) barges in to tell him that her wealthy executive brother, Robert Flanders (Edward de Souza, "Six Hands Across a Table"), has now been targeted for blackmail by Earle, who holds on to the incriminating murder weapons until the priceless art treasures that he covets have become his own. The two villains decide to frame Steed in similar fashion by killing Miss Tara King, who spends the entire episode in her apartment, confined to a wheelchair due to an ankle sprain. Once forewarned, Tara's intelligence is called into question by her failure to lock the back door before crawling agonizingly up the stairs to make certain they can't get in her front door, but she manages to redeem herself in a frantic finish. Lacking in genuine wit, yet definitely a step in the right direction.
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