The Crouching Tiger Hidden Dragon Full Movie Download In Hindi
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I'll finish where I started, reiterating what others have said before; See this movie ... if you do so without preconceptions or prejudices I think you will enjoy it, if you don't I think you may have missed a great experience.
P.S. If anyone can *privately* email me with a definitive (or at least well researched) answer to the question of exactly *why* the character did what they did at the end of the film please do ... many theories but no-one seems to know (even those who loved the movie!) and no-one here has learned a new language to read the books! The picture is more fun than it has a right to be. Crouching Tiger, Hidden Dragon is the fourth book in the Crane-Iron Pentalogy, written by Chinese author Wang Dulu [1909-1977]. The other four books, written between 1938 and 1942, include: (1) Crane Frightens Kunlun/He Jing Kunlun, (2) Precious Sword, Golden Hairpin/Baojian Jinchai, (3) Sword's Force, Pearl's Shine/Jianqi Zhuguang, and (5) Iron Knight, Silver Vase/Tieji Yinping. As of 2007, no official English language translations of his novels exist. However, there is a manhua (comic book) series created by Andy Seto. Crouching Tiger, Hidden Dragon was followed by Crouching Tiger, Hidden Dragon: Sword of Destiny (2016) (2016). "Crouching tiger, hidden dragon" is a Chinese idiom that describes a situation where a great deal of outstanding ability or exceptional talent is concealed in the seemingly ordinary appearance of those who possess such quality or refers directly to those who choose not to reveal their true capabilities. Examples of the idiom's common usage in modern Chinese may include: "This place is [full of] crouching tiger(s) [and] hidden dragon(s)" and "Through the years I never realized that he was [such a] crouching tiger / hidden dragon." The "wu" in "wuxia" refers to "martial arts" or "combat". The "xia" refers to a person whose sense of righteousness is so profound that it empowers them to sacrifice themselves and even break the law to help people. The closest equivalents in English would be the hero, knight, warrior, or vigilante in superhero comics. See here for more information about wuxia and the xia. In terms of wuxia masterpieces, Bao biao (1969) [Have Sword, Will Travel] (1969) and Xia nü (1971) [A Touch of Zen] (1971) are seen as the influential epic grandmasters of the genre. More recent movies similar to Crouching Tiger, Hidden Dragon include Ying xiong (2002) [Hero] (2002), Shi mian mai fu (2004) [House of Flying Daggers] (2004), and Huo yuanjia (2006) [Fearless] (2006). Some wuxia elements can be seen in non-explicitly martial arts films that feature justice seekers who acquire extraordinary fighting skills and often operate outside the state law. Examples may include works from a wide variety of genres such as western, Japanese jidaigeki (period drama), and superhero. Akira Kurosawa's Shichinin no samurai (1954) [Seven Samurai] (1954) and Yôjinbô (1961) (1961) are good examples. The latter has a scene similar to the one where the thugs harass Jen in the restaurant, with the thugs bragging about their abilities and criminal records. It's a scene that was also done as an homage in Star Wars (1977)—the cantina scene. 7cb1d79195
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Li is a great warrior, famous throughout QING China for his adventurus life. He decides to give his powerful, ancient sword as a gift to an old friend of his, but soon the sword is stolen by a mysterious master of the martial arts. Now, it's up to Li to uncover the thief and return the sword to its rightful owner.
Crouching Tiger Hidden Dragon is a timeless story that takes place in QING China when miracles were credible and spirits and gods were present in man's world. It is not unbelievable that zen warriors float through the air, skim the water and battle in trees and on rooftops. Pain, revenge and duty are the stuff that bind us in this world and are the main plot line of the movie, but in the afterlife love and faith linger on.
I first saw this film, not in the cinema, as I had hoped, but on DVD. Never have been as gobsmacked. I watched 'The Matrix' the day before, but it's got nothing on this. Nothing. Well done Ang Lee (although, I'm ashamed to say, I hadn't really heard of him before this).
Firstly the action. WOW. When I heard from a friend that the same martial arts trainer that was used for 'The Matrix' had worked on this, I thought, cool, he could do more with (for lack of a better word) ninjas than guns. And I was not disappointed.
The first action scene, when the sword is stolen for the first time, blew me away. I had never seen anything like it before (having not yet saw, once again ashamed, Iron Monkey). The pure fluidity of the movements, the pace, even though they moved quite slowly through the air, the technique of the actors chosen. All were amazing.
Secondly, the story. I personally am not very used to the type of plots that appear from the Far East. But I was pleasantly surprised, it was a good, well paced romantic story, that entwined with the action, and the action entwined with it. Perfect.
9/10
What can I say that hasn't already been said?
The scenery and settings are stunning, the action amazing and the plot interesting and heart-touching ... that's been said but it is worth repeating!
For additional comments I want to say why I say the film should not be classified; too many people have said this is not a Kung-Fu movie as they recognise it and that it cheapens the genre when real martial artists are replaced by actors, editors and computers. I say this film (and in fact any film) should be regarded on its own merits and not classed as a "Kung-Fu movie". When people say a film is a "Sci-Fi movie" what are they saying? That a film can't be set in the future and not be seen as a comedy? a thriller? and action movie? a romance? Any combination of these? This is a movie of love, battle, pride, society, ancient powers, dedication, spirituality and more; don't limit it by adding it to the list of Kung-Fu (and, yes, I like what others call "Kung-Fu movies" too!)
And to answer some other comments/questions ... (I don't think my answers to these are any more spoilers than the questions)
- Where can you see flying in Kung-Fu movies? Try "Zu Warriors" for a treetop experience.
- Jen is foolish and contemptible? Young people all over make mistakes and when you want freedom *and* to be 'good' yet freedom is offered by 'evil' whereas only study, boredom and rules are offered by 'good', then you throw in the demands of society her actions make more sense ... who of us did the right thing all the time when we were still mid-teens anyway?
- How did Jade Fox learn without being able to interpret the manual? She tells you in the film ... (it's not 'plot crucial' but if you don't want to know stop reading this paragraph now ... pause ... pause ... the manual had pictures!).
- As for there being no romantic tension between Chow Yun Fat and Michelle Yeoh? This must have been another film that was being watched - the tension and feelings were obvious to me from their first moments together; maybe the release of many much poorer/more obvious movies than this or the 'up front' nature of society today means some people can't interpret subtle body language, conversation pauses and facial expression - I hope not, that would be sad.
I'll finish where I started, reiterating what others have said before; See this movie ... if you do so without preconceptions or prejudices I think you will enjoy it, if you don't I think you may have missed a great experience.
P.S. If anyone can *privately* email me with a definitive (or at least well researched) answer to the question of exactly *why* the character did what they did at the end of the film please do ... many theories but no-one seems to know (even those who loved the movie!) and no-one here has learned a new language to read the books! The picture is more fun than it has a right to be. Crouching Tiger, Hidden Dragon is the fourth book in the Crane-Iron Pentalogy, written by Chinese author Wang Dulu [1909-1977]. The other four books, written between 1938 and 1942, include: (1) Crane Frightens Kunlun/He Jing Kunlun, (2) Precious Sword, Golden Hairpin/Baojian Jinchai, (3) Sword's Force, Pearl's Shine/Jianqi Zhuguang, and (5) Iron Knight, Silver Vase/Tieji Yinping. As of 2007, no official English language translations of his novels exist. However, there is a manhua (comic book) series created by Andy Seto. Crouching Tiger, Hidden Dragon was followed by Crouching Tiger, Hidden Dragon: Sword of Destiny (2016) (2016). "Crouching tiger, hidden dragon" is a Chinese idiom that describes a situation where a great deal of outstanding ability or exceptional talent is concealed in the seemingly ordinary appearance of those who possess such quality or refers directly to those who choose not to reveal their true capabilities. Examples of the idiom's common usage in modern Chinese may include: "This place is [full of] crouching tiger(s) [and] hidden dragon(s)" and "Through the years I never realized that he was [such a] crouching tiger / hidden dragon." The "wu" in "wuxia" refers to "martial arts" or "combat". The "xia" refers to a person whose sense of righteousness is so profound that it empowers them to sacrifice themselves and even break the law to help people. The closest equivalents in English would be the hero, knight, warrior, or vigilante in superhero comics. See here for more information about wuxia and the xia. In terms of wuxia masterpieces, Bao biao (1969) [Have Sword, Will Travel] (1969) and Xia nü (1971) [A Touch of Zen] (1971) are seen as the influential epic grandmasters of the genre. More recent movies similar to Crouching Tiger, Hidden Dragon include Ying xiong (2002) [Hero] (2002), Shi mian mai fu (2004) [House of Flying Daggers] (2004), and Huo yuanjia (2006) [Fearless] (2006). Some wuxia elements can be seen in non-explicitly martial arts films that feature justice seekers who acquire extraordinary fighting skills and often operate outside the state law. Examples may include works from a wide variety of genres such as western, Japanese jidaigeki (period drama), and superhero. Akira Kurosawa's Shichinin no samurai (1954) [Seven Samurai] (1954) and Yôjinbô (1961) (1961) are good examples. The latter has a scene similar to the one where the thugs harass Jen in the restaurant, with the thugs bragging about their abilities and criminal records. It's a scene that was also done as an homage in Star Wars (1977)—the cantina scene. 7cb1d79195
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