Pistol Opera Full Movie Free Download
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DOWNLOAD: http://urllio.com/rauk1
DOWNLOAD: http://urllio.com/rauk1
The No. 3 assassin of Japan is given the chance to usurp No. 1 and take their place.
Did you know that there is a ranking of the best assassins of Japan? In the spirit of 1967's Branded To Kill, also by director Suzuki Seijun, comes Pistol Opera. The assassin ranked third is out to kill the first and move herself up the ladder of hierarchy. What follows is drama, action, a mysterious visitor, an impolite manhandling of a man in a wheelchair, Japanese costumes, several employment offers, a couch and even a pre-teen girl.
If you've never seen a Seijun Suzuki film don't start with this one. I cannot state that strongly enough.
Taken as a film in isolation, judging it on its own merits, this film fails. Fails interestingly, but fails.
The acting is appalling. The script is pretentious gobbledegook. There are parts of the film when it seems like even the director is sleepwalking. The sets and props are clearly badly made. The actors aren't very good or even interesting looking. The soundtrack is bad. Your friends will think you're a paedophile.
BUT... There are incredible moments in this film. Jaw dropping changes of colour. Symbolic actions. Bizarre perspectives. A new way of looking at everyday items and interactions. Some moments that recall the old thrill of watching the original "Branded to Kill".
The sheer ambition of certain moments is heartening. You think of things like German Expressionism and pop art and say "wow". It's tantalising.
This is a film interesting for those people who've followed Suzuki's career and want to see his next experiment in non-realist cinema and storytelling. Unfortunately that's the only level on which this film works.
The majority of movie watchers in the world would hate this movie. That's OK, but they shouldn't waste my time by telling me about it.
This movie isn't abstract. It is also not, strictly speaking, symbolic. And it is by no means truly literal.
Like most Japanese movies, us wide-eyes can't possibly hope to claim to understand it all, but if you've learned nothing else from Suzuki, you should have learned that you're not required to understand it.
Pistol Opera is a mix of operatic and theatrical styles. There are elements of kabuki, western plays, and European opera integrated in every scene. The result is at once stylized, ritualistic, and loose. The uncomfortable camera angles and bright colors in some scenes are just a reflection of classic Japanese art.
If it feels uneven, that's only because it's uneven. As in any other Seijun Suzuki movie, every shot is treated equally and judged independently.
I think Seijun Suzuki has gotten better. I could never find anything i liked about Branded to Kill except it's sheer inscrutability and absurdity, and BtK is without a doubt, technically speaking, quite possibly the worst movie I've ever seen - but i still liked it. I can find things about Pistol Opera that i like. It probably influenced Kill Bill, but the people who made Kill Bill missed the point - I saw that movie for free, and still felt like demanding my money back.
Suzuki has made the ultimate meta-movie, a self-parodying, surrealist gangster daydream as intoxicating and insubstantial as an absinthe swoon.
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