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This implies it must be better fit for the ES-1 (without additional extension). If scanning https://en.search.wordpress.com/?src=organic&q=slides to digital these old slides is your only goal, and presuming you currently have the DSLR, and can discover an extension tube for DX, you may compare the macro lens expense with a film scanner. The lens is not a movie scanner of course, and a digital video camera will NOT appropriate to copy landenfaro269.lucialpiazzale.com/this-week-s-top-stories-about-costco-photo-digitize-slides color negative film, but it works for slides.

The Nikon 60 mm macro lens is outstanding for any close-up work, and I 'd assume the other similar lenses are great too. I predict the macro would quickly become your preferred lens. This ES-1 setup works effectively for scanning installed slides rapidly - like magic after you get the hang of it.

The macro lens optical quality is remarkable, but the other aspects are perhaps not really optimum (haste, installing, framing, etc), not the same as a genuine film scanner. However still rather easy, and which seems more than great enough for this purpose to regain countless old slides for sentimental functions.

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Honestly, due to the months of work that would be needed on a movie scanner, this task went years without happening at all. Above is a sample image copied from a 1990 35 mm Kodachrome slide, utilizing the ES-1 setup with the D 70S, 6 megapixels (is a cropped 1.5 x body).

The image is significantly bigger than your monitor screen, and to see complete size, you may have to save the bigger image and view with an image editor, or you could shut off Automatic Image Resizing in your browser. The electronic camera macro lens appears the obvious bet for superior optical quality. :-RRB- Results are certainly great enough. https://www.washingtonpost.com/newssearch/?query=slides to digital And did I mention it is very fast? Testing extremes perhaps, however here is the exact same slide copied with a Canon A 620 Power Shot compact camera (point & shoot) in its macro mode. No additional attachment was utilized - its macro mode gets this close if zoomed to wide-angle.

Pixel dimensions are approximately comparable to scanning at 2500 dpi. This was a rapidly kludged setup for the one image here. (My method: keep overdoing stuff to solve the next instant issue). The cam was on a tripod. The slide was actually standing on edge on top of a light stand pole, held with a piece of tape.

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This light was a 150 watt household incandescent lamp (perhaps 2900K?) in a 10 inch clamp-on energy reflector on a light stand (about 15 inches from slide), through a plastic Tupperware tray (yet another light stand) covered with a white bed sheet to diffuse it sufficiently (this lighted area needs to be a number of feet broad, the slide at 1/2 inch is a large angle circumstance).

The JPG was a little blue, and was adjusted here with -Blue and +Red. Vehicle exposure was ISO 100 and 1/80 second (time hold-up shutter to let video camera stop shaking). This video camera takes 4:3 pictures, however the slide was 3:2, so completions are cropped. Or, a bit more range would have made the image smaller sized so it would all fit, and then it might have been cropped to 3:2.

A straight edge held to the leading railing on the right reveals a similar bow, which is noticeable. Considerable vignetting (dark corners). This is a quite extreme situation for the little compact cam lens. Not exactly sure you would in fact desire to try this, however it can work. I did feel the really strong need for a convenient slide holder.

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Compacts do not define their macro recreation ratio, so the calculator can not include them. Lots of other approaches of holding and brightening the slide are definitely possible. If you have a longer macro lens, you undoubtedly need something other than the ES-1 anyhow. You simply require a diffused light behind the slide, and a video camera and macro lens in front of it.

One common method puts a lighted white paper or foam board background a foot or two behind the slide, with the video camera and macro lens on a tripod in front. Slide holder might be a plastic pill bottle screwed to a board, with a slot cut at leading to hold the slide standing.

Camera tripod screws are an ordinary 1/4-20 UNC screw (Unified Thread Standard, coarse thread, 1/4 inch size, 20 pitch per inch), typical in any North American hardware store. Speedlight flash is also terrific for freezing cam shake. Or, simply standing the slide on Digitalize Slides a routine lighted slide arranging tray is basically the very same thing, pointing the lens at it, rear lighted.

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The holder needs to be easy and fast and stable, you don't desire it to move. Here's a cool DIY concept shared by Jim Simpson in Nova Scotia Canada. The grooved mounting for slides is 3/4 inch wood knobs, and it looks extremely convenient and simple to run. Tokina 100 mm macro lens on Nikon D 7100 video camera, using a transfer film slides to digital white screen flashlight app (Android).

White balance is Cloudy, or Shade often (fixing private slides will vary a little). Mounting the electronic camera and the slide on the same board minimizes any possibility of video camera shake. Obviously, these do have actually to be installed at the proper distance so that the slide fills your frame at your typical 1:1 or 1:1.5 focus distance.