Trad.Attack! Nothing compliments a campfire like a harmonica, but if you're looking for a new and challenging pocket noisemaker, I highly recommend the jaw harp. Much like a didgeridoo, you can create trance-inducing vibrations that will annoy some and mesmerize others. On its own, your mouth can learn to make some pretty great sounds , but it's remarkable what can be accomplished with this little doohickey. Just the slightest change in breath and flickering of the tongue shapes the sound dramatically.
The Jew's Harp accompanies mankind already for a very long time. Therefore this wonderful small instrument which has been used for so many purposes has got umpteen names in all cultures it appeared in. Some of the terms we assembled here to show you its diversity.
Many playing techniques produce sound effects that influence both melody and rhythm. The number of possible sound effects may be unlimited. It is worth just to try out and discover ever new effects. Especially the tongue is a very talented organ. In the following some suggestions.

During the winter time clothing had to be and still is very thick and warm. Nowadays, younger generations have shifted from traditional Yakut warm jackets, but reindeer fur boots are still widely used. To make one pair of boots, hides of cow and eight reindeer feet are used.

Improvising playing is not for everybody. A khomusist who mastered the playing technique, who is able to express his feelings through khomus, can improvise. Unlike the moderate play there are no words, and the tempo can be different. It differs from the imitation playing by the presence of the theme, content, which are revealed by the khomus opportunities. A khomusist improvises around one theme, sometimes a tune, using all kinds of appropriate methods.
I bought a snoopy harp and it's unplayable, DO NOT waste your money on a snoopy harp, get a Russian made jew's harp, you won't regret it. I almost didn't buy this one, thinking i just didn't have the ability to play a harp based on my experience with the snoopy harp. This instrument is a hundred times better, truly, it's very easy to play. I can pluck it either inward or outward, it's comfortable on the finger or thumb either way. The finish is smooth, nothing rough against your lips or hands.
It is difficult to highlight a certain khomus. I suppose it is useless. Every khomus suits its own nation. It should be made by a good master hand and only by hand. Thanks to hand making the craftsman conveys his energy to the khomus. The tongue absorbs the features of the culture of its people, which are in its genes. My collection includes a lot of khomuses which play only melodies of its own nation. They are an Austrian maultrommel of Yozef Joffen, a Kirghiz timir khomus of Orosobai Kinchinbaev, a French guimbarde of Bernard Laran-Kassu, венгерский doromb of Zoltan Szilagyi, a Chinese kouchian, an Indian morsing, an African bamboro of unknown craftsmen and so on.
IMO the jaw harp really comes into its own when accompanying a clawhammered 5-string banjo and cross-tuned fiddle. Preferably playing a tune like Squirrel Heads and Gravy”. I just had a realization. The mouth harp is considerd a toothless hillbilliy instrument, but in order to play it you need teeth.
We established a lot in the first episode, and set the tone musically. I had written a bunch of big themes before they even started shooting. So before anyone was really working on the pilot, we had these broad themes that formed the larger thematic architecture As the ten episodes progressed, we were able to take a particular area of the show and go deep into a certain character and his background. It's one of these shows where you meet a lot of people in the first episode but you really learn more about them as the show moves on, and people aren't what they seem. Andy has managed to make a deep story that feels three-dimensional, and like there's always something to be uncovered and something just beyond the periphery.
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