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"We create life in our personal image and likeness." Stephen Hawking

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Civilizations from the past centuries have destroyed their Gods.

So why don't AI destroy its Creator?

I recently watched the film I Am Mother and was absolutely delighted, which is really great, interesting and keeps in suspense, in addition, I watched it around the https://www.123-movies.im/ site in top quality without freeze and without registration.

This is certainly natural. Or will the creative mind be even ahead?

The cinematic theme on the main topic of a person's irresponsibility with regards to actions, probably, has been relevant since the creation of the atomic bomb, and its peak falls around the bestseller by James Cameron.

To varying degrees,'Robot Child'echoes Alex Garland's original title'Ex Machina 2014 ', which happens to be officially translated into No Gateway at all.

Nevertheless the joint project of Grant Sputor and Michael L. Green may appear far more pragmatic, rational and consistent.

The single most interesting components of the film is awareness, choice (will) and action like a symbol of will. All of this is hard to imitate, in emotional attachment on the mother.

Clara Rugor lives within a large futuristic bunker with her robotic mother who covers her, educates her, gives her skills and education with a focus on morality when producing decisions.

The heroine Swank, by her appearance, brings chaos into this harmonious, understandable, safe world, that gives rise to suppressed doubts and the must make a choice.

An immaculate child, being a lonely Eve without Adam inside Garden of Eden, having tasted the forbidden fruit of communication together with her own kind, must produce a choice that everything depends.

I Am Mother is a vintage on the genre, drama, fantasy, deeper than'Upgrade ', but just as dystopic.

A final meeting of'mother'and'daughter'on the ocean shore uncompromisingly dispels all doubts and questions, illustrating the wisdom in the famous mathematician that chance is simply a special case of regularity.

This is how the ultimate of the Matrix was meant to be!

How do you like that, Dr. Komarovsky? An era of unbeaten children matures not recognizing parental authority. They are prepared to believe the very first stranger they come across, but is not the mother who gave the child the ideal many years of her life. And the phalanges on the fingers periodically fly off the gears, and recharging takes longer and longer. And the girl's is ripe ...

The anthem to mechanical motherhood through the unknown for me Grant Sputor is in fact good:

is an ingenious post-apocalypse. Already in the 1st five minutes, you will notice the discrepancy relating to the numbers and you will be right. Then plenty of tiny and super-small details which have been important here are going to be explained. Sputor is not going to poke onto your nose, you must frown and think.

is actually a beautifully shot film. Resistant to the minimalism with the enclosed space, you, as a viewer, see everything exactly the way the director would like. And there will also be an ocean.

- the plot holds interest and they often put you in the crossroads.

- and how about reflecting on who were, why we're, and what's after us?


- why not consider mom's voice? He could be so gentle and full of affection for the brim that you want to capture the belt and spank the unlucky Clara Rugor

- and, hallelujah, that is a new fantasy who has been able to break away from people who find themselves still copying the 79th and 82nd. Fresh sip, modern, smart, believable.


In the minuses - Rugor didn't drag the character. Everything rests on her, but the key character isn't going to give empathy. Here Swank is an order of magnitude more interesting, but that's why she and Swank.

Watch the film and rejoice.

fowlerralsto

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on Apr 12, 21