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Sebastian Schnipper, best understood for his one-take break-in thriller "Victoria," brings among the more original approaches to the collection with an amusing appearance at solo life in quarantine in which he challenges several elements of himself (believe "Multiplicity" with a deadpan twist). Kristen Stewart's entry takes a comparable approach into the arena of a psychological thriller, as she endures a mental breakdown in closeup (while her partner Dylan Meyer addresses her off-screen) and struggles to arrange out whether she's dreaming or large awake.
Naomi Kawase's poetic installment quantities to little more than pleasing montage, and Nadine Labaki's recording of her daughter is basically just glorified playtime. Other filmmakers use their kids to more satisfying ends: Cinematographer-turned-filmmaker Rachel Morrison delivers a moving ode to her five-year-old child against the expressionistic images of his active life, while Chinese filmmaker Johnny Ma composes a letter of his own to his mom, explaining his newfound family life in Mexico (come for the bittersweet observations, remain for the dumpling recipe over the credits).
In under 10 minutes, Chadha has her child tell a range of experiences, from discovering their Indian heritage to the disaster of losing Chadha's far-off mom to the virus. It is among the couple of chapters with sufficient distinctive characters that it could benefit from future installations. View Details used the chance to experiment with category and type, such as Antonio Campos, quarantined in South America with Christopher Abbott and casting the actor in a peculiar Hitchcockian thriller about a strange visitor at a seaside house.
"Jeanne Dielman" by way of Miranda July, Lelio's lament about the slow-burn crisis brought on by endless days will be a familiar song to lots of. While "Homemade" typically operates as a document of contemporary times, sometimes it takes the long view. Maggie Gyllenhaal's sci-fi choice stars her partner, Peter Sarsgaard, roaming empty farmland as the moon looms far too big in the sky, obviously on the edge slamming into the Earth; radio dispatches suggest the infection has actually been eating away at every element of the cosmos.