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A member of the production team took images while the lake scene was being shot. Photo 1 Cultural referrals Michael commemorates Jim and Pam's relationship by stating, "This is a day which will reside in infamy", misusing the remarkable sentence from President Franklin D. Roosevelt's. Roosevelt was referring to the Japanese attack on Pearl Harbor.

Ryan uses a Black, Berry and promotes its usage. The Black, Berry was a smart phone with a screen and a tiny keyboard, efficient in sending out and receiving e-mail and text. It was preferred as a company tool for mobile workers before the prevalent adoption of touch-screen smart devices.
In the early 1990s, Yugoslavia collapsed and separated into a variety of successor nations. Michael's phrasing is rather puzzled; a more standard phrasing would be "what was formerly Yugoslavia". Michael may have been influenced by the country officially referred to as the previous Yugoslav Republic of Macedonia. The uncomfortable name was the outcome of a naming conflict that was finally dealt with in 2019.
are companies furthering the remembrance of the Holocaust. This follows the theme that Dwight's household has ex-Nazis in it. Josef Mengele, Adolf Eichmann and other high-ranking Nazis ran away to Argentina following World War II; a popular misconception is that Hitler likewise left to Argentina. Michael has photos in reference to, "Where's the beef?", and Ben Kingsley.
Andy tells Ryan, "You're so cash, but you don't even understand it." This is a tag line from the film, starring actor Vince Vaughn, whom Ryan had just mentioned meeting. Andy includes, "But you do." Pierce Brosnan is an Irish actor most popular for enacting James Bond.
Episode 58: Dunder Mifflin Infinity, Part 1. "Workplace Ladies" podcast, December 16, 2020. Time code 01:03:25. Greene, Alan. "The Writers' Room." The Workplace: The Untold Story of the Great Sitcom of the 2000s: A Narrative History. A Good Read , 2020.
3rd and 4th episodes of the fourth season of The Workplace "Dunder Mifflin Infinity" is the third and fourth episode of the 4th season of the American funny, and the show's fifty-sixth and fifty-seventh episode overall. The episode was written by Michael Schur, who also acts in the program, and directed by Craig Zisk.