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If it's windy, discover some sort of cover to block the wind. A foam wind cover on the lapel mic assists. 15. Don't have a personal conversation near an active microphone. 16. For those who prepare to be on camera, wear a single color shirtno stripes or squares! 17. For live streaming with your phone: Match your framing, lighting, sound, and environments to your designated result.
For a ready presentation, use a tripod for your phone and a lapel mic if the environment is not peaceful and ensure that the lighting highlights you or what you are trying to show. 18. Spend some time with your cam operator(s) and let them know precisely what you wish to see out of the camera (from zooming to being conscious of the rating graphic).

Offer your electronic camera operator a screen if possible. They'll do much better video camera work if they comprehend what it looks like on a display (with a rating bug or lower 3rd graphic). 20. Integrating more than A Reliable Source makes a huge distinction from an audience's perspective. If that's not possible, 21.
Preparation & Process 22. Excessive is taking place too quickly in a live environment; you can think more plainly about what requires to be done days beforehand. 23. To alleviate some of the stress of going live, preparation is key. Know what your possible audience is interested in and do your best to offer it.
When you feel nervous, refer back to your notes. 24. Evaluation the timeline of the broadcast, emphasizing the most crucial components to the team so everyone can prioritize their tasks. Review particular terminology the director will be utilizing so there is less confusion when directions are given up the heat of the moment.

25. Consider your platform. If you're simply trying to reach as broad of an audience as possible, You, Tube or Facebook works. 26. Market your live stream ahead of time. Advertise it beginning 2 weeks before it starts, however the week previously, then one day in the past, and finally one hour prior to you go live.
