L.AConfidential - Film and Furniture - Questions
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What is it with Kevin Spacey's movies not ageing so well? In all seriousness, I have actually just recently observed that The Usual Suspects, American Beauty, and now this are all typically held up as contemporary masterpieces, but to my eye, every one of them is pull down by some painfully dated looks.
Curtis Hanson said they went specifically for a look that didn't feel classic, that makes little to no sense when the duration information is there in spades, and yet the quality of the movie itself appears it was shot yesterday. Although it does not exactly shout 50s to me, the cast and gripping source material make this well worth the cash, not to forget the supreme dealbreaker Jerry Goldsmith's moody journey down Chinatown lane.
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Vincennes will be one of the movie's protagonists. The other two cops are Officer Bud White (Russell Crowe), who thinks in flexing the law to implement it, and Investigator Ed Exley (Man Pearce), a straight-arrow type whose self-righteous morality gets on the department's nerves. la connected , so different from one another, all possess some essential quality of honor that draws them together in untangling the movie's web of corruption.
Confidential" seems episodic-- one marvelous event after another, with no evident connection. Mickey Cohen, the head of the mob in L.A., has simply been imprisoned, and now hit teams are rubbing out his leading lieutenants. A millionaire called Pierce Patchett (David Strathairn) has sidelines in slick porn and high-priced call girls, and concentrates on woman of the streets who have had cosmetic surgery to make them resemble film stars.
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Exley and Vincennes, for quite various factors, testify versus their fellow officers, breaking the department's code of silence. There's a massacre at the downtown Nite Owl Cafe, and a police is one of the victims. Calling sternly for justice to be done in all of these cases is ramrod-stiff Capt.
For extended periods, we're not even sure that it is a plot, and one of the film's satisfaction is the way director Curtis Hanson and writer Brian Helgeland put all the pieces into place before we fully realize they're pieces. How could these individuals and occasions possibly be related? We don't much mind, so long as the pieces themselves are so intriguing, Consider the organization of the call ladies who have been "cut" to make them look like movie stars.
