he showed flashes of potential as a rookieLeigh has cited Jean Renoir and Satyajit Ray among his favourite film makers. The critic David Thomson has written that, with the camera work in his films characterised by \'a detached, medical watchfulness\', Leigh\'s aesthetic may justly be compared to the sensibility of the Japanese director Yasujir Ozu. Michael Coveney: The cramped domestic interiors of Ozu find many echoes in Leigh\'s scenes on stairways and in corridors, and on landings, especially in Grown Ups, Meantime, and Naked.
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