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History [edit] Origins [edit] Erik Satie is acknowledged as a crucial precursor to modern-day ambient music and an influence on Brian Eno. As an early 20th-century French composer, Erik Satie used such Dadaist-motivated expeditions to produce an early type of ambient/background music that he labeled "furnishings music" (Musique d'ameublement). This he explained as being the sort of music that could be played during a supper to develop a background environment for that activity, instead of acting as the focus of attention.
I think of it as sweet-sounding, softening the noises of the knives and forks at dinner, not controling them, not imposing itself. It would fill those heavy silences that at some point fall between friends dining together. It would spare them the difficulty of paying attention to their own banal remarks.
To make such music would be to respond to a requirement." In 1948, French composer & engineer, Pierre Schaeffer coined the term musique concrte. This speculative design of music utilized recordings of natural noises that were then customized, controlled or effected to create a structure. Shaeffer's methods of utilizing tape loops and splicing are thought about to be the precursor to modern tasting.
The piece is meant to record the ambient noises of the venue/location of the efficiency and have that be the music played. This Author has actually been cited by influential artists such as Brian Eno as influence. In the 1960s, numerous music groups explore unusual techniques, with a few of them producing what would later be called ambient music.
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Other composers working with tape recorders entered and partners including Pauline Oliveros, Terry Riley and Steve Reich. Their structures, to name a few, contributed to the development of minimal music (also called minimalism), which shares lots of similar concepts to ambient music such as repeated patterns or pulses, steady drones, and consonant harmony.
Some 1960s records with ambient components consist of and by Tony Scott, by Raymond Scott, and the very first record of the by Irv Teibel. In the late 60s, French composer liane Radigue composed numerous pieces by processing tape loops from the feedback between 2 tape recorders and a microphone. In the 70s, she then went on to compose similar music almost solely with an ARP 2500 synthesiser, and her long, slow compositions have frequently been compared to drone music.
