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Although very little is shown that straight contradicts the essay on the trumps by Soror Q L, the apparent source for these images, it is clear that another source should have been utilized for a few of the importance consisted of in these cards. tarotfans.com specifies categorically that the artist did not speak with other recreations of the Golden Dawn deck yet there are many points of congruence in between this deck and the Wang deck; symbols that do not commonly appear on tarot cards and are not discussed in the essay by Soror Q L but appear on both this deck and the Wang deck.
These indicate that an additional source was utilized in the development of these images, one that is not pointed out in the accompanying pamphlet. It would have been handy if it had been named as the descriptions by Soror Q L are often quick and unhelpful and make it hard to judge how well this deck does or does not comply with the esoteric symbolism of the Golden Dawn.
There is some small loss of importance on some cards, especially the loss of the crab on the Knight of Chalices and the reversal of the positions of the orb and sceptre on the Prince of Discs; however these are little matters compared to the method the artist has actually captured the spirit of each card.
The booklet makes some effort to explain the sense of the court cards, however in such a brief work it is impossible for the author to enter into much information or to deal with the problems such as the 16 sub aspects as specified in the Golden Dawn court. The minors are where this deck deviates most from known Golden Dawn imagery.
The progression of the elements as they come down the tree of life are represented just by flames that rupture from the wands, the lotus flowers that fill the chalices with water, the five petaled rose that is torn by the swords of air and by the buds on the rose bush that bears the pentacles of earth.