going just 41 40 the rest of the way

going just 41 40 the rest of the wayThe pair had to overcome the challenge of how to represent Thai speech and music. Rodgers, who had experimented with Asian music in his short lived 1928 musical with Lorenz Hart titled Chee chee,[22] did not wish to use actual Thai music, which American audiences might not find accessible. Instead, he gave his music an exotic flavor, using open fifths and chords in unusual keys, in ways pleasant to Western ears.[23][24] Hammerstein faced the problem of how to represent Thai speech; he and Rodgers chose to convey it by musical sounds, made by the orchestra.
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