he was given the nickname

he was given the nicknameThe roots of Jaojoby\'s musical style began with his childhood exposure to the Western Malagasy syncretism of local church hymns, and the rhythm, harmonies, and form of the traditional antsa style of northern Madagascar. The antsa is a choral style common across northern Madagascar characterized by large group performance of minor polyharmonies over a highly syncopated multi rhythmic hand clap or other percussive accompaniment.[16] Upon relocating to Diego Suarez, Jaojoby was exposed to Western artists and musical genres,[2] as well as the music of Freddy Ranarison, the first local artist to popularize the adaptation of traditional Malagasy styles to the electric guitar.[4] Singing with Los Matadores provided Jaojoby with the opportunity to cover the hits of his idols, including Otis Redding, Percy Sledge, and James Brown. During his years performing with this band and his subsequent group, Les Players, Jaojoby adeptly covered hits from a vast range of regional and international genres ranging from the jerk, tango and, cha cha cha to the sega and slow romantic ballads.
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