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dystopijnym świecie Gilead, totalitarnego społeczeństwa, które powstało w Stanach Zjednoczonych. Po katastrofach naturalnych i spadającej liczbie urodzeń, Gilead jest rządzony przez fundamentalistów podążających ścieżką „powrotu do tradycyjnych wartości”. Freda (Elisabeth Moss), jako jedna z niewielu płodnych kobiet, jest Podręczną umieszczoną w domu Komandora. Zgodnie z nowymi zasadami zostaje zmuszona do pełnienia seksualnych usług, by przyczynić się do ponownego zaludnienia planety. W tej przerażającej rzeczywistości Freda musi nauczyć się poruszać pomiędzy OPOWIEŚĆ PODRĘCZNEJ S05E01 2022 Caly SEZON
Komandorami, ich okrutnymi Żonami, służbą domową zwaną Martami i pozostałymi Podręcznymi. Każdy może być szpiegiem Gileadu, a wszystkim przyświeca jeden cel: przetrwać w nowej rzeczywistości.
A extra daylight is getting up. Dreams come true. June (Elisabeth Moss) takes the long-awaited revenge on her torturer. Commander Fred Waterford (Joseph Fiennes) is dead. Self-righteousness has driven June to skirmish thus far, now she will have to reevaluate her excitement and find a supplementary goal.
In the first two episodes of the additional season, the heroine continues to torment yourself when the pain of responsibility that she carries upon her shoulders in the past she became the leader of the rebellion. However, she begins to doubt whether every the steps she is taking are right. An eye for an eye seems bearing in mind a good solution until blind revenge obscures rationality. June will have to redefine herself and find herself in a world outdoor of Gilead. The enemy, however, still lurks upon the horizon, ready to strike the most desire strings.
This series should be watched by PiS politicians. Handhelds appeared in tummy of the Seym
Serena Joy (Yvonne Strahovski) will stand opposite the enlightened June. The foremost antifeminist and indirect founder of Gilead will not allow her protect down, and will embark upon a pretty and gross dance of revenge following fixed idea satisfaction. This mature it is she who will strike the blows, showing that even without a husband, she has gigantic imitate and strength. The question remains, is her return to Gilead for her husband's funeral a swan song or a other inauguration in this unequal struggle?
Freda, as the protagonist, is initially a no question mysterious character. In order to feign our cartoon as adroitly as reachable (first-person narrative, because it's her story), it allows us to vibes how much she is in fact allowed to. Her spirit is incredibly poor in all field. The greatest tragedy of her and her connections is that they perfectly recall their previous lives. That they were wives and mothers. That they had a job, a house, and that they could giggle whenever they felt in imitation of it. These memories, upon the one hand, give them the strength to survive the next day, and upon the other hand, they plunge them into more and more stagnation.
A hallmark of Atwood's novel is peace and quiet. Nobody screams in it, nobody calls for justice, nobody opposes. Such controlled and enthusiastic brutality literally deprives us of hope. And it shocks the most, because it shows silent surrender, hopelessness and the inability to change.
The world created by the author is quiet and gloomy, but this silence screams. And it is interesting because I have never encountered such an spread anywhere else. Freda's thought process is certainly opposite to what is stirring just about her and what she agrees to. And we wait all the grow old for something to break. And this expectation, I must admit, is exhausting!
I very recommend.
Dystopian literature is probably my favorite genre, it evokes amazing emotions in me, next-door upon veracity and fantasy. The tape is not overrated, which I was afraid of. It's a fine story, fantastic and sickly fascinating. The ending is quite surprising and worth reading occurring to the last line.
Secret deals as soon as the Commander, Wife's secrets, hidden, forbidden love, powerless underground. This book is teeming taking into account comings and goings and emotions, although it is grounded in a paralyzing silence.
The fifth season of "The Handmaid's Tale" returns to the question of what it means and whether it is realistic to forgive real harm. setting role reversal brings further solutions. Strahovski is a good winner of Serena Joy's pride, which clearly dominates her passage to repentance. Moss, upon the new hand, shows that the June mission is not appropriately much important individually, but is growing to the pronounce of a symbol. Now she would isolated have to believe to be how in the distance she could go.
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