Men (Movie Review) traditional
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Men is a bloody, perplexing entry into the genre of apocalyptic horror. ซีรี่ย์จีน พากย์ไทย 's also an elaborate, surreal exploration of misogyny throughout the past two millennia through a microcosm of one girl's battle within the aftermath of a tragedy that's scapegoated her as its cause. Its finale transcends traditional narrative in favor of delivering an emotionally-rooted thematic catharsis that'll go away viewers with a lot to chew on.
Writer-director Alex Garland (2014's Ex Machina and 2018's Annihilation) is a master at mental genre play, embedding heady ideas about energy, desire and expertise within stories that lean toward science fiction and horror. In his third movie, a psychological thriller about the evils of man, he elevates those logos to their nightmarish extremes.
Garland's star, Jessie Buckley, plays Harper, a girl on the run after the mysterious dying of her husband. She rents a country house in England, and it isn't lengthy earlier than she runs into bother. There's a useless animal in the garden, an apple tree affected by apples—a clear reference to Adam and Eve and the unique sin of patriarchal misogyny—and a slew of creepy and inexplicable happenings.
Soon, she's a hostage of the property's owner, Geoffrey (Rory Kinnear), who retains her in a locked room while peppering her with dumb quips and invasive questions about her marital standing. Men doesn't make it a secret that its primary subject is sexism, however it makes an even larger point by depicting these forces as malevolent creatures who need nothing more than to harm girls for their own pleasure.
For a lot of the film, it is exhausting to determine whether or not Garland is critiquing misogyny or merely exhibiting it in its gore-ish grotesqueness. But the final act, which appears to be a full-on gorefest, lastly reveals its true intentions. It's a misguided try to make use of Harper's story as a method to point fingers at male energy and violence, nevertheless it degenerates right into a slew of cheap thrills and lively, infuriating contempt for ladies that's rooted in millennia of biblical teachings and patriarchal custom.
There are moments in Men that may trigger the breath to quicken and the guts to pound, but they're far too few and scattered throughout a muddled and unsatisfying movie. Garland is too talented as a filmmaker to do something so rote, and his film finally fizzles out underneath its personal weight. Adding up all of the missteps, Men is perhaps Garland's most flawed work so far..
Writer-director Alex Garland (2014's Ex Machina and 2018's Annihilation) is a master at mental genre play, embedding heady ideas about energy, desire and expertise within stories that lean toward science fiction and horror. In his third movie, a psychological thriller about the evils of man, he elevates those logos to their nightmarish extremes.
Garland's star, Jessie Buckley, plays Harper, a girl on the run after the mysterious dying of her husband. She rents a country house in England, and it isn't lengthy earlier than she runs into bother. There's a useless animal in the garden, an apple tree affected by apples—a clear reference to Adam and Eve and the unique sin of patriarchal misogyny—and a slew of creepy and inexplicable happenings.
Soon, she's a hostage of the property's owner, Geoffrey (Rory Kinnear), who retains her in a locked room while peppering her with dumb quips and invasive questions about her marital standing. Men doesn't make it a secret that its primary subject is sexism, however it makes an even larger point by depicting these forces as malevolent creatures who need nothing more than to harm girls for their own pleasure.
For a lot of the film, it is exhausting to determine whether or not Garland is critiquing misogyny or merely exhibiting it in its gore-ish grotesqueness. But the final act, which appears to be a full-on gorefest, lastly reveals its true intentions. It's a misguided try to make use of Harper's story as a method to point fingers at male energy and violence, nevertheless it degenerates right into a slew of cheap thrills and lively, infuriating contempt for ladies that's rooted in millennia of biblical teachings and patriarchal custom.
There are moments in Men that may trigger the breath to quicken and the guts to pound, but they're far too few and scattered throughout a muddled and unsatisfying movie. Garland is too talented as a filmmaker to do something so rote, and his film finally fizzles out underneath its personal weight. Adding up all of the missteps, Men is perhaps Garland's most flawed work so far..
